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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Dalibor Matanic – Director – Zvizdan (The High Sun).
FRED’s Angelo Acerbi meets Dalibor Matanic, director of the film Zvidan (The High Sun), features in the Un Certain Regard programme of the 68th Cannes Film Festival.
1991 – 2001 – 2011 At the beginning of each decades a love story unfolds telling us a lot about what was happening in Croatia before the war started , right after and in almost present times, when forgiveness should be given and wounds should be healed.
Through wonderful performance and mesmereizing photography, the director tells us more than three love stories. And he tells us exactly what his intentions were…
ZVIZDAN (THE HIGH SUN): Three different love stories, set in three consecutive decades, in two neighboring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'
