“Atcha Atcha”, interview with director Mamadou Dia
Atcha Atcha highlights the vibrant African dance scene and its fragile cultural roots, showcasing movement, identity, and the power of local expression.
Atcha Atcha highlights the vibrant African dance scene and its fragile cultural roots, showcasing movement, identity, and the power of local expression.
Al Locarno Film Festival 2026, Giovanni Tortorici racconta l'adolescenza, il conformismo e il peso delle istituzioni in Ketticè
Alla Mostra del Cinema di Venezia 2026, il direttore artistico Alberto Barbera su intelligenza artificiale, nuovo cinema italiano e la sorpresa Oasis
Giornate degli Autori - Venezia
Alle Giornate degli Autori 2026, la direttrice artistica Gaia Furrer sull'eredità di Giorgio Gosetti, la giuria tutta al femminile e il cinema degli “spatriati”
Beatrice Fiorentino racconta la SIC 2026 - Settimana Internazionale della Critica di Venezia: il cinema come atto politico, nuove geografie e la crisi della mascolinità.
BCT Benevento Cinema Televisione
Antonio Frascadore, direttore artistico del BCT di Benevento 2026, racconta il bilancio della decima edizione e dieci anni di festival tra cinema, tv e musica.
BCT Benevento Cinema Televisione
Blue, il film di Eleonora Puglia con Rocco Siffredi presentato al BCT Benevento 2026: un racconto crudo sulle piattaforme hard e i rischi per i più giovani.
Valeria Sarmiento's Detrás de la lluvia va más allá de la fachada: "Me parece más lindo, en el cine, insinuar cosas que decirlas"
Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness
Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall
Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary
Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it."
Juan Miguel Gelacio y Esteban Hoyos García, directores de Cinco años, cuatro meses, abordan el flagelo de los más de 120.000 desaparecidos en Colombia desde las emociones de una madre buscadora
Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines
Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier."
BCT Benevento Cinema Televisione
Al 10° BCT di Benevento, Pio e Amedeo tra il successo di Oi, vita mia e la lezione di Troisi
BCT Benevento Cinema Televisione
Al 10° BCT di Benevento, Marcello Cesena e Simona Garbarino e il segreto dei vent'anni di Sensualità a Corte
BCT Benevento Cinema Televisione
Al 10° BCT di Benevento, Fabio Balsamo presenta il suo esordio letterario tra fragilità, ironia e il valore del fallimento
BCT Benevento Cinema Televisione
Al 10° BCT di Benevento, Irene Maiorino tra il legame con Lila, l'incontro con Bellocchio e il desiderio di essere sorpresa
Directors Kristina Grozeva and Petar Valchanov on Black Money for White Nights: "Corruption is at the bottom of everything, but not just that of the outer life, also the corruption of the inner life"
In The Guest, where a family reunion is disrupted by a mentally unstable mother played by Trine Dyrholm, Mads Mengel pays close attention to his characters' conflicted feelings
"All Buffy the Vampire Slayer characters were a sort of superheroes for the audience"
Past the Hill of Napoleon’s Hat director Arnas Balčiūnas at Future Frams 2026. On generational trauma, silence within families, and finding an authentic cinematic voice.
Half-moon director Hae-Sup Sin at Future Frames 2026. A short film about adoption, cultural identity and two mothers discovering that love can be shared rather than divided.
Nobody Barks director Júlia Coldwell Serra at Future Frames 2026. A dark comedy about guilt, family bonds and the comforting stories people invent to avoid painful truths.
Sister of Mine director André Vaara at Future Frames 2026. A quiet short story about siblings, identity, and childhood perception.
Shallow Ground director Jozo Schmuch at Future Frames 2026 turns one day into a tender reckoning with the decades a war stole
The Lightning Rod director Helmi Donner at Future Frames 2026 uses horror to talk about abuse and generational trauma
Kiss Kiss Bang Bang director Ollie Launspach at Future Frames 2026 turns his partner’s gaze into a mirror for his own transition
Zampano director Teilo Quillard at Future Frames 2026 revisits his circus childhood and dreams already of a punk circus to come