“Testa o croce?”, intervista agli attori Alessandro Borghi e Nadia Tereszkiewicz
Testa o croce?: a Cannes 78 il film che ribalta gli stereotipi di genere dello Spaghetti Western
Testa o croce?: a Cannes 78 il film che ribalta gli stereotipi di genere dello Spaghetti Western
"Testa o croce?" La ballata antiwestern italiana ad Un Certain Regard di Cannes 78.
Alpha, Ducournau’s Cannes comeback, stars Tahar Rahim in a mesmerizing performance
Alpha by Julia Ducornau, marks the director’s comeback in Cannes competition after the Palme d’Or with Titane in 2021
Renoir, in the Cannes 78’s competition, is Hayakawa’s more intimate and personal project after Plan 75
My father’s shadow, a semi-autobiographical film set in 1993’s Nigeria about two little brothers and the last trip with their father
"Caravan", for the film's director Zuzana Kirchnerova, was also a way to "give a voice" to all family members who are caretakers and get marginalised in our society.
Le Città di pianura di Francesco Sossai e l’incontro-svolta tra due spiantati cinquantenni e uno studente d’architettura
In "Nino", in many ways reminiscent of Agnès Varda's "Cleo from 5 to 7", director Pauline Loquès focuses on trivial, daily things, which she says are her primary material, to explore "what happens when nothing happens"
Stefania Ippoliti is the director of the Tuscany Film Commission, in Cannes to present to producers the activities and programme of the film commission but also to promote a film in the festival slection that was shot in te region …
Graziella Bildesheim parla del Gaza International Women’s Film Festival previsto in ottobre, un evento sostenuto da numerose realtà italiane e internazionali.
Anna Cazenave Cambet, réalisatrice de "Love Me Tender": "Il y a une obsession sur les personnages féminins : ils devraient absolument susciter de l’empathie. C’est un procès qu’on ne fait pas aux personnages masculins".
Director Neeraj Ghaywan discusses Homebound at Cannes 78—an emotional tale of friendship, dignity, and identity rooted in real-life inspiration.
Romane Bohringer, réalisatrice de "Dites-lui que je l'aime", inspiré du livre du même nom de Clémentine Autain : "Ce film hybride qui est un peu fiction, un peu documentaire, s'est imposé à moi".
Jacopo Chessa, direttore della Veneto Film Commission, ci incontra al Festival di Cannes in occasione della presentazione del film Le Città di Pianura, di Francesco Sossai, primo film completamente veneto ad essere incluso nel programma del festival. Poi, naturalmente, si …
The Phoenician Scheme by Wes Anderson, in Cannes’ competition sees the participation of newcomers Mia Threapleton and Riz Ahmed and welcomes back Richard Ayoade
"La Mort N'existe Pas" est un film d'animation dirigé par Félix Dufour-Laperrière avec le thème de la lutte sociale et de l'usage de la violence comme moyen de révolte. Un film fascinant par ses choix esthétiques et ses dessins que …
The Phoenician Scheme by Wes Anderson, at Cannes 78, is a family story with a vintage old Hollywood’s era look
Interview with Kirill Serebrennikov and August Diehl on The Disappearance of Josef Mengele at Cannes 78 – a chilling look at evil, complicity, and justice.
Diego Céspedes brought to Cannes, in the Un Certain Regard section, his first feature film " The Mysterious Gaze of the Flamingo", a fascinating and heartfelt story of self affirmation and resilience of a queer family in Chile, seen through …
Louise Hémon a présenté son premier long-métrage de fiction "L'Engloutie" au 78ème festival de Cannes. Un film de nature extrême , tourné dans un hameau d'haute montagne dans les Alpes, une histoire de prise de conscience de soi par una …
Valéry Carnoy, director of "Wild Foxes" : "All the others are obsessed by Camille because he is a genius at his sport, but all this obsession and this 'love' is like a punishment for him. It’s like a psychological jail."
Left-Handed Girl, Sean Baker’s producer Shih-Ching Tsou’s first solo project, lands at the Semaine de la Critique
La réalisatrice Alice Douard au sujet de son premier long, "Des preuves d'amour" : "Pour moi la mécanique de l’amour, ça passe par l’admiration. Les mouvements d’amour sont des mouvements de regard entre les gens. Ici, il est question de …
Fuori by Mario Martone, in competition at Cannes 78, marks Matilda De Angelis’ first time at the Festival
Alice Douard’s directorial debut, "Love Letters", at the Semaine de la critique, sees Monia Chokri pairing up with Ella Rumpf.
"We are humans, but in the end, we are animals".
La Ola, the feminist musical from Oscar Winner for A Fantastic Woman, Sebastián Lelio lands Cannes Premiere
“Mama”, the debut feature film by director Or Sinai, was presented as a Special Screening at the 78th Festival de Cannes. A journey into the emotional layers of her protagonist Mila, a Polish immigrant torn between multiple homes and identities.
Dominik Moll on his Palme d'Or contender "Case 137": "There’s a whole lot of footage [on demonstrations and police brutality], and we immediately felt that this was very cinematic, and that the investigation should be structured around those videos."