“Mehal Sefari”, interview with producer Tamara Mariam Dawit
Discover how Mehal Sefari , Ethiopia's first film in 14 years at Venice, highlights a powerful story set during the Red Terror, opening doors for African cinema.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Occupational Hazards", interview with the producer, Rula Nasser Carolina Mancini
Rula Nasser, producer (with The Imaginarium Films) of the film Occupational Hazards by Bassel Ghandour, discusses this compelling Palestinian family dark comedy and drama. The film is one of the six feature films selected at the 14th edition of Final Cut in Venice 2026, the program of Venice Film Festival and Venice Production Bridge that supports film in post-production from all African countries and six countries of the Middle East (Jordan, Iraq, Lebanon, Palestine, Syria and Yemen).
The story of Occupational Hazards centers on a Palestinian family living in Jerusalem, navigating the complex realities of occupation with humor and irony. Bassel Ghandour aimed to depict how Palestinians creatively resist displacement and preserve their homes through dark comedy. The film offers a perspective on resilience amid restrictions, emphasizing the importance of storytelling in highlighting everyday struggles. The narrative draws on real stories collected over two years of research, portraying a family living in a house where underground tunnels and crack repairs symbolize the ongoing conflict. This approach combines authenticity with irony, making it a vital project today, especially in Arab and Palestinian contexts.
collective experience of Palestinians facing occupation laws. Bassel Ghandour’s research involved extensive fieldwork, including living in Jerusalem with a British passport and engaging with local youth and activists. The production involved a diverse crew, including Palestinian professionals and actors from the Palestinian diaspora, to ensure authenticity. The film’s casting includes professionals from Lebanon, Haifa, Jerusalem, and Palestinians living abroad, reflecting the community’s multifaceted identity. Shooting took place in Jordan to mirror Jerusalem’s environment, utilizing VFX to recreate Jerusalem’s cityscape and conflict zones
Occupational Hazards is a collaborative international production, co-financed by Arab funds and supported by partners in Qatar, Poland, and the UK. The post-production stage has just begun, with plans to finalize the film by early next year. The team is actively seeking distributors and international markets to showcase the project further.
This is Rula Nasser’s third time participating in the Final Cut program, which she values for its support in elevating the film’s quality and market reach. Past projects supported by final cut include Inshallah, a Boy by Amjad Al-Rasheed, which received recognition and awards. The team is optimistic about the film’s future, aiming to amplify Palestinian stories on the global stage.
A Palestinian family in Jerusalem fights to keep their home from crumbling – literally and figuratively – as their struggle against the system takes on wild and unorthodox forms. Parents Hazem and Dima fight to hold their collapsing home, and live together. Ibtikar, Hazem’s mother, smuggles herself in from Ramallah. with secret motives, stirring trouble. The youngest, 14-year old Yasmina, pranks settlers between homework. And Sultan? Well no matter what he does, trouble finds him. It’s almost like Israel is conspiring against him… Oh wait – he’s a 19-year-old Palestinian male. It is.
Written by: Carolina Mancini
Amjad Al Rasheed Bassel Ghandour
Guest
Rula NasserFestival
Venice Production BridgeDiscover how Mehal Sefari , Ethiopia's first film in 14 years at Venice, highlights a powerful story set during the Red Terror, opening doors for African cinema.
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