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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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Haifaa Al-Mansour - The Wedding Singer's Daughter #Venezia75 fredfilmradio
PODCAST| Matt Micucci interviews Haifaa Al-Mansour, director of the film The Wedding Singer’s Daughter.
Filmmaker Haifaa Al-Mansour directed The Wedding Singer’s Daughter, one of the two Miu Miu Women’s Tales short films presented at the 75th Venice International Film Festival and featured in the program of the Giornate degli Autori strand. The director tells us about her choice for the subject of the film, the perception of the role of an artist in her native country of Saudi Arabia, and in honor of Miu Miu’s series, to mention and highlight the work of a woman in film that she particularly admires.
The Wedding Singer’s Daughter: It’s nighttime in 1980s Riyadh, Saudi Arabia. Glittery and glamorous heels climb out of cars. Women shrouded in traditional black abayas make their way into a wedding hall. There, they reveal what’s underneath: dazzling dresses and wild hair. Their true selves set free, unseen by male gaze. There are strict segregation rules in Saudi weddings. All eyes and ears are on the wedding singer; until the electricity cuts out suddenly. “This is the worst wedding singer ever,” guests mutter, condescendingly. Will the young daughter manage to save her mother’s dignity?
Discover Teona Strugar Mitevska's courageous journey during the pandemic as she shares her self-portrait in "21 Days Until the End of The World." This unconventional documentary challenges the audience, celebrating the beauty of being unapologetically free. Join us in exploring …
Explore Céline Sciamma's remarkable journey through cinema and her unique approach to storytelling in our exclusive interview about This is How a Child becomes a poet. Discover the transformative power of her films, from "Water Lilies" to "Portrait of a …
The juries for the 82nd Venice International Film Festival have been announced. Alexander Payne, Julia Ducournau, and Charlotte Wells will preside over the main sections.
100 Litres of Gold – Director Teemu Nikki dives into sahti, sisterhood, and black comedy. A wild brew of laughs, love, and tradition.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
