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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Angelo Acerbi interviews Isabel Sandoval, director of the film Shangri-la.
Isabel Sandoval comes back to Giornate Degli Autori with a short film included in the series Miu Miu Women’s tales. Shangri-la is a story of inclusion and acceptance, two issues Isabel cherishes and fights for. Lovely as usual, she talks about the reason of the film and the connection of its subject with the philosophy of the fashion brand that promotes the programme the short film is part pof.
Shangri-la: It’s California, during the Great Depression. A woman is confiding her most intimate thoughts in a church confessional, while the man on the other side listens silently and intently. But this is no ordinary religious ritual for seeking salvation. The woman – a second generation Filipino farmhand – is rapt in roleplay reverie, her sensuous words aimed at her white American lover, during a historic period when such interracial relationships were forbidden by state law. The confession box transforms into a romantic time machine, ecstatic and melancholic, traveling into alternate futures. She manifests as multiple, dazzling women, and they can love freely.
Giornate degli Autori - Venezia
An exclusive interview to Antoneta Alamat Kusijanović, director of the film "Stane", that deals with the issue of women's role in a patriarchal society and the perception and consideration of her role , when in positions of power.
Giornate degli Autori - Venezia
Exclusive interview to directors Zacharias Mavroeidis and actors Yorgos Tsiantoulas and Andreas Lampropoulos. "The Summer With Carmen" gives an unapologetic and honest take on love and friendship in the gay community of Athens. Funny, truthful and sexy, at the same time.
The juries for the 82nd Venice International Film Festival have been announced. Alexander Payne, Julia Ducournau, and Charlotte Wells will preside over the main sections.
100 Litres of Gold – Director Teemu Nikki dives into sahti, sisterhood, and black comedy. A wild brew of laughs, love, and tradition.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
