PODCAST | Chiara Nicoletti interviews Mohamed Diab, director of Clashfrom the Un Certain Regard section of the 69th Cannes Film Festival.
To listen to the interview, click on the ► icon on the right, just above the picture of the film
The opening film of the Un Certain Regard section of the 69th Cannes Film Festival, Clash, is a film is set two years after the Egyptian revolution and manages to portray impartially every political vision of modern Egypt.
Mohamed Diab is known for his directorial debut film Cairo 678, which was released a month before the Egyptian revolution, a drama about three women who unite to fight against the plague of male chauvinism in Cairo. As the director says in the interview, the situation in Egypt hasn’t changed and he hopes that films like this will open people’s eyes and minds.
CLASH: Cairo, summer of 2013 – two years after the Egyptian revolution. In the wake of the ouster of Islamist president Morsi, a police truck full of detained demonstrators of divergent political and religious backgrounds roams through violent protests. Can the detainees overcome their differences to stand a chance of survival?
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'