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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Silent friend", interview with director Ildikó Enyedi and actors Luna Wedler and Enzo Brumm David Martos
Interview during the 82nd edition of Venice International Film Festival with Ildikó Enyedi, director of the film “Silent friend”, and actors Luna Wedler and Enzo Brumm. The production, part of the official selection in Venice Film Festival 2025, talks about our connection with nature and between each other, and is divided in three different timelines.
Those periods are: the early 20th century, the 1960s-70s, and the pandemic 2020. Each timeline reflects distinct artistic choices that mirror the changing human perception across eras. The early 1900s segment utilizes black-and-white film, emphasizing the rigid structure of life during that period; the 1960s-70s section bursts with color and experimental visuals, capturing the sensuality and revolutionary spirit of the flower power era; the modern segment, set amidst the isolation of 2020 during the COVID-19 pandemic, employs digital visuals with sharp precision.
Ildikó Enyedi emphasizes that the use of different formats and styles serves to express the evolving perceptions of reality rather than just depicting historical periods. “The visual choices are a way of showing how human perception shifts over time,” the director explains. “From rigid structures to sensory experimentation, to digital clarity, each era has its language.”
In the heart of a botanical garden in a medieval university town in Germany stands a majestic ginkgo tree. This silent witness has observed over a century the quiet rhythms of transformation across three human lives. 2020, a neuroscientist from Hong Kong, exploring the mind of babies, begins an unexpected experiment with the old tree. 1972, a young student is profoundly changed by the simple act of observing and connecting with a geranium. 1908, the university’s first female student discovers, through the lens of photography, sacred patterns of the universe hidden within the humblest of plants. We follow their clumsy, awkward attempts to connect — each one of them deeply rooted in their own present — as they are transformed by the quiet, enduring, and mysterious power of nature. The ancient ginkgo tree brings us closer to what it means to be human — to our longing to belong.
FRED interview with Park Chan-wook and Lee Byung-hun for the "No Other Choice" film debut, years later from the last time the Director attended the Venice International Film Festival
Interview with László Nemes, director of "Orphan", about the power of the past in understanding our present
“Wishing on a Star” explores love and self-discovery through astrology. Discover how Peter Kerekes captures the essence of human connections in this enchanting film.
Sigourney Weaver, recepient of the Golden Lion for Lifetime Achievement in Venice.
Marrakech International Film Festival
"Aisha Can't Fly Away," first feature by Morad Mostafa explores migrant women’s struggles in Cairo with surreal elements, and blending different genres in a compelling narrative.
Marrakech International Film Festival
Many are the profound layers of "The Love That Remains", Icelandic entry for the Oscars, a film that evolves from simple to surreal, inviting viewers to feel rather than fully understand.
Marrakech International Film Festival
"El Sett", the sumptuous film by Marwan Hamed reveals how music and culture thrive amid challenges, showcasing resilience and rich traditions in a captivating, behind-the-scenes look. The astounding life of Umm Kulthum is told through a personal and intimate lens.
"Find your friends": from Fantasia Film Festival to the italian premiere at the 43rd Torino Film Festival
