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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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LITHUANIAN Channel 24
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Attrice, sceneggiatrice, produttrice, vincitrice di Oscar, BAFTA ed Emmy: Emma Thompson sarà protagonista di Locarno78, dove riceverà il Leopard Club Award e presenterà il suo nuovo film in anteprima mondiale.
For Pride Month 2025, FRED Film Radio honors LGBTQI+ cinema with exclusive interviews and powerful stories of identity, love, and resistance.
Dal 3 all’8 giugno 2025 Milano ospita la 1ª edizione del Milano Film Fest: 110 film, masterclass, eventi gratuiti e anteprime nei quartieri della città.
Maschi Veri, serie Netflix, racconta uomini che riflettono sulle incertezze, i paradossi e le contraddizioni della mascolinità italiana di oggi.
Mani Nude, opera seconda di Mauro Mancini dopo Non odiare, in anteprima al Milano Film festival e in sala il 5 giugno con Medusa
Mirrors No. 3 is Petzold’s new film with muse Paula Beer, premiering at the Quinzaine des Cinéastes.
A pale view of hills by Kei Ishikawa, at UCR in Cannes 78, is Kazuo Ishiguro’s novel’s screen adaptation.
"The love that remains", at Cannes 78, is Pálmason’s more personal and intimate film.
Cannes 2025 closed with a standing ovation for Iranian filmmaker Jafar Panahi, whose Un Simple Accident took the Palme d’Or.
Director Óliver Laxe on his Palme d'or contender "Sirât": "To watch this film provokes something, I think thanks to the fact that I left room for ambiguity, for polysemy, and that I trusted the images."
