“A pale view of hills”, interview with director Kei Ishikawa
A pale view of hills by Kei Ishikawa, at UCR in Cannes 78, is Kazuo Ishiguro’s novel’s screen adaptation.
A pale view of hills by Kei Ishikawa, at UCR in Cannes 78, is Kazuo Ishiguro’s novel’s screen adaptation.
"The love that remains", at Cannes 78, is Pálmason’s more personal and intimate film.
Cannes 2025 closed with a standing ovation for Iranian filmmaker Jafar Panahi, whose Un Simple Accident took the Palme d’Or.
Director Óliver Laxe on his Palme d'or contender "Sirât": "To watch this film provokes something, I think thanks to the fact that I left room for ambiguity, for polysemy, and that I trusted the images."
Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary …
Sorry, Baby, based on director, writer and actor Eva Victor’s personal experience is an ironic and delicate cinematic letter to the people that feel stuck in life because of trauma.
Le Città di Pianura, opera prima di Francesco Sossai, arriva ad Un Certain Regard di Cannes 78, a due anni dal corto Il compleanno di Enrico
Testa o croce?: a Cannes 78 il film che ribalta gli stereotipi di genere dello Spaghetti Western
"Testa o croce?" La ballata antiwestern italiana ad Un Certain Regard di Cannes 78.
Alpha, Ducournau’s Cannes comeback, stars Tahar Rahim in a mesmerizing performance