“Sister Midnight”, interview with the director Karan Kandhari
Blending punk comedy, eclectic music, and stop-motion fantasy, "Sister Midnight" is a bold and darkly humorous journey of self-discovery.
Blending punk comedy, eclectic music, and stop-motion fantasy, "Sister Midnight" is a bold and darkly humorous journey of self-discovery.
The formidable Isabelle Huppert talks about "Visiting Hours", her second film with French director Patricia Mazuy, where her character, a prisoner's wife, forms an unlikely pair with a woman in a similar situation except not at all, played by Hafsia …
Eephus, screening in the Directors’ Fortnight 2024, is a melancholic hangout film reflecting on time passing
The 77th Cannes Film Festival made history with Sean Baker's "Anora" clinching the prestigious Palme d'Or.
Sbatti il mostro in prima pagina, girato nel 1972 da Marco Bellocchio, arriva a Cannes 77 in versione restaurata
Motel Destino marks Karim Aïnouz’s return to shoot in his Brazil and it’s an ode to passion and desire
"Diamant brut", qui brosse avec précision et bienveillance le portrait d'une jeune influenceuse, est aussi le seul premier long-métrage de la compétition cannoise cette année.
Armand is Halfdan Ullmann Tøndel’s debut feature with the chameleonic Renate Reisnve, at Cannes 77
L'Amour ouf, Anora, All we imagine as light, Grand tour, The most precious of Cargoes, When light breaks
The Village next to paradise is Somali/Austrian director Mo Harawe’s debut feature, premiering in Cannes 77