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Mostra del Cinema di Venezia

“Aftab mishavad (The Sun Will Rise)”, Interview with Director Ayat Najafi

todayAugust 31, 2023 1

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Iranian director Ayat Najafi's film "Aftab mishavad (The Sun will Rise)" is a tale of rebellion. It inaugurates the Out of Competition category at the 80th Venice Film Festival.

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    "Aftab mishavad (The Sun Will Rise)", Interview with Director Ayat Najafi Laura Della Corte

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In a candid conversation with Ayat Najafi, the visionary Iranian filmmaker behind “Aftab mishavad (The Sun Will Rise)”, we delved into the intricate layers of his latest work that boldly explores themes of rebellion, empowerment, and artistic expression. Set against the backdrop of Tehran in October 2022, the film showcases a theatre troupe rehearsing “Lysistrata” , an ancient Greek comedy that resonates deeply with the tumultuous atmosphere of the city.

Ayat Najafi shared his motivation for choosing this narrative, explaining how it mirrors the real-world events that unfolded during the production. “In September 2022, I traveled to Iran to work on another film, and suddenly I found myself in the middle of an uprising, a revolution that had already begun before the tragic death of Mahsa Jina Amini in the custody of so-called moral police. But her death was the beginning of a new era in Iran’s current history” , Najafi revealed. The profound impact of these events on him and the country inspired him to craft a story that captures the essence of resistance and the yearning for change.

The heart of “Aftab mishavad” lies in its exploration of how art can serve as a vehicle for defiance. As the theatre ensemble finds itself trapped within their rehearsal space, surrounded by the chaos of an uprising, they confront their roles as artists and citizens. The lead actress’s determination to take to the streets and join the protests reflects the unyielding spirit of those seeking transformation. Ayat Najafi elaborated on this, stating, “Despite disagreements, one thing is clear for everyone: the ensemble does not want to continue the show in times of revolution. Moreover, they have decided not to work anymore under censorship and the rules of the regime”. The juxtaposition of artistic creativity against a backdrop of societal upheaval highlights the power of art as a catalyst for change.

Discussing the filmmaking process, Ayat Najafi emphasized his commitment to authenticity and creative collaboration. The inclusion of four strangers from the street, unexpectedly entering the rehearsal room, serves as a powerful metaphor for the intrusion of the outside world into the artistic sanctuary. “The sudden entry of four strangers from the street transports the terrifying reality of the outside into this closed and isolated environment”, Ayat Najafi stated. This element of the story brings an element of unpredictability, mirroring the unpredictability of real-world events that inspired the film.

Najafi’s previous documentary work has garnered international acclaim, and “Aftab mishavad”, in Giornate degli Autori section, continues his legacy of addressing thought-provoking topics with artistry and depth. His ability to merge experimental and documentary elements shines through as the film portrays the actors’ improvisations based on the stories unfolding outside the rehearsal room. Through this creative process, Ayat Najafi showcases the resilience and determination of individuals in the face of adversity.

As we concluded our conversation, Najafi’s passion for his craft and his dedication to storytelling that resonates deeply with societal currents was evident. “Be that as it may, today’s Iran and its young generation are at a point of no return” , Najafi mused. With “Aftab mishavad” , Najafi has crafted a cinematic reflection of this turning point, a poignant exploration of how art can both mirror and drive societal transformation. The film, marking a significant moment in Ayat Najafi‘s career, stands as a testament to the enduring power of film to amplify voices, question norms, and ignite change.


Plot

Tehran, October 2022; a theater ensemble is rehearsing the ancient greek Lysistrata by Aristophanes. In the middle of a scene in which old men storm and attack the Acropolis, which the women of Athens have taken, the ensemble learns that they are surrounded because anti-riot forces are marching around the building and putting down a large demonstration. The street noise is deafening, and the room is filled with fear and anger. Some want to hide, others, led by the leading actress, want to go out into the streets and fight alongside the people. Despite disagreements, one thing is clear, the team does not want to continue the play in the time of the revolution. And moreover, they will never again work under censorship and regimentation of the regime. The sudden entrance of four strangers from the street brings the scary reality from outside into this closed and isolated safe environment. The ensemble stays in the rehearsal room for the night and engages in an attempt to improvise on the stories from outside, using their bodies and acting skills as forms of civil disobedience.

Written by: Laura Della Corte

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