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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Interview during the 81st edition of Venice International Film Festival with Sophie Wilde, actress in “Babygirl“. The movie, in competition for the Golden Lion, tells the story of a businesswoman – played by Nicole Kidman– that starts a relationship submission with an intern, played by Harris Dickinson. Sophie Wilde plays one of Kidman’s colleagues at work, that warns her about this situation.
Our interview with Sophie Wilde addresses the presence of the film in Venice and how was it shooting such powerful scenes alongside Nicole Kidman. She also talks to FRED about the momentum of her career: she has starred in Danny Philipou and Michael Philipou‘s “Talk to me” and the miniseries “Tom Jones“.
As we explained, in “Babygirl” a high-power CEO puts her career and family at risk when she begins this torrid affair with her newest intern. Her marriage to a successful theatre director (Antonio Banderas) is at stake. Sophie Wilde discusses how much sacrifice women in power must endure in order to maintain their jobs and fulfill their wishes.
A high-powered CEO puts her career and family on the line when she begins a torrid affair with her much younger intern. The affair at the heart of "Babygirl" allows Romy and Samuel to play out their confusion around power, gender, age, hierarchy, and primal instinct. Despite its forbidden nature, the joy of that exploration is liberating, even healing.
Giornate degli Autori - Venezia
“Sanatorium Under the Sign of the Hourglass” reimagines Bruno Schulz’s surreal narratives. Explore how the Quay Brothers approach memory and identity in this haunting cinematic experience.
Nehir Tuna, director of "Yurt", discusses the challenges of making a personal and impactful film. Director Nehir Tuna brings his personal experiences to the screen, highlighting the isolation and pressure faced by Ahmet as he navigates the expectations of his …
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'
