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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Carolina Hellsgård – director – Wanja
FRED’s Matt Micucci interviews Carolina Hellsgard, director of the film WANJA, which screened at the 60th edition of the Cork Film Festival.
WANJA is the first feature by Hellsgaard, so she talks about how the transition from short to feature was. We also talk about her aims at achieving a type of minilalistic cinema that does not try to manipulate a viewer’s emotions through, for instance, fancy editing or music – Carolina also took over on the editing during post production.
We talk about her relationship with the cast, and the various influences that helped shape her feature, as well as her future project, which she is currently working on and her more general thoughts on female representation in cinema today.
WANJA: The former bank robber Wanja is released from a long prison sentence. As her feelings of loneliness escalate, Wanja sets out to find work and hereby a new identity. Against all odds she lands an internship at a horse race track. In the stable she gets to know the troubled teenager Emma, and a strong friendship develops between the two women. When Emma slips deeper into her own drug abuse, Wanja decides to rescue her.
Marrakech International Film Festival
The dystopian beauty of "Amoeba" by Tan Siyou, a film about girls seeking agency in a sterile, all-white society blending youth rebellion with societal critique. A girl gang with dreams and strength.
Marrakech International Film Festival
Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme.
Marrakech International Film Festival
"Aisha Can't Fly Away," first feature by Morad Mostafa explores migrant women’s struggles in Cairo with surreal elements, and blending different genres in a compelling narrative.
Marrakech International Film Festival
Many are the profound layers of "The Love That Remains", Icelandic entry for the Oscars, a film that evolves from simple to surreal, inviting viewers to feel rather than fully understand.
