Listeners:
Top listeners:
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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST: Caroline Benjo, co-head of Haut et Court
Listen to an extract from the panel “Cross-Atlantic Series Success: (Re)making TV for Europe and the World” from the EFM Industry Debates of the 2016 Berlin International Film Festival.
In this extract, Caroline Benjo, head of Paris-based production and distribution company Haut et Court talks about the challenges faced by TV European productions in order to compare with the high quality product from the United States, and whether it she thinks it is all a matter of budget or not.
The boom in high-end television series has ignited a creative explosion in Europe, and opened up new opportunities for producers and talent to sell their shows – as originals or adaptations – worldwide. But what does a show need to stand out? What are international broadcasters looking for and how can you make – or remake – a world-class series on a European budget.
Talking with Pascal Diot, director of the Venice Production Bridge, we got insights into this year's event, highlighting its role in connecting immersive content markets and supporting international film and TV projects.
Two players in the Book Adaptation Rights Market talk about the opportunities that such an event can bring and the productivity that the peculiarities of it (one single location, an intense one to one meeting schedule and the quality of …
Exclusive interview with Vincent Maraval, CEO of Goodfellas, on the state of the film industry today
