PODCAST | Chiara Nicoletti interviews Cate Blanchett and Todd Field, actress and director of the film Tár.
Even though she feels like a real person, the Lydia Tár whose biography it is depicted in TÁR by Todd Field, in competition at the Venice International Film Festival, doesn’t exist. The character masterfully played by Cate Blanchett is only based on real, existing people. Cate Blanchett and Todd Field started in 2020 to build Lydia Tar, first-ever female chief conductor of a major German orchestra, from scratch. They developed her story as a fierce “Maestro” until she became almost independent, alive. Is she aware is aware of the way she acts in the world and insinuates her presence into other people’s lives? Cate Blanchett thinks she’s not, as she’s as human as we are. The actress adds that she never judged Lydia, her toxic behaviors or her virtues as that she never judges her characters.
Tár: Set in the international world of classical music, TÁR centres on the first-ever female chief conductor of a major German orchestra.
"Aisha Can't Fly Away," first feature by Morad Mostafa explores migrant women’s struggles in Cairo with surreal elements, and blending different genres in a compelling narrative.
Many are the profound layers of "The Love That Remains", Icelandic entry for the Oscars, a film that evolves from simple to surreal, inviting viewers to feel rather than fully understand.
"El Sett", the sumptuous film by Marwan Hamed reveals how music and culture thrive amid challenges, showcasing resilience and rich traditions in a captivating, behind-the-scenes look. The astounding life of Umm Kulthum is told through a personal and intimate lens.