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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Dalibor Matanic – Director – Zvizdan (The High Sun).
FRED’s Angelo Acerbi meets Dalibor Matanic, director of the film Zvidan (The High Sun), features in the Un Certain Regard programme of the 68th Cannes Film Festival.
1991 – 2001 – 2011 At the beginning of each decades a love story unfolds telling us a lot about what was happening in Croatia before the war started , right after and in almost present times, when forgiveness should be given and wounds should be healed.
Through wonderful performance and mesmereizing photography, the director tells us more than three love stories. And he tells us exactly what his intentions were…
ZVIZDAN (THE HIGH SUN): Three different love stories, set in three consecutive decades, in two neighboring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.
Marrakech International Film Festival
The dystopian beauty of "Amoeba" by Tan Siyou, a film about girls seeking agency in a sterile, all-white society blending youth rebellion with societal critique. A girl gang with dreams and strength.
Marrakech International Film Festival
Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme.
Marrakech International Film Festival
"Aisha Can't Fly Away," first feature by Morad Mostafa explores migrant women’s struggles in Cairo with surreal elements, and blending different genres in a compelling narrative.
Marrakech International Film Festival
Many are the profound layers of "The Love That Remains", Icelandic entry for the Oscars, a film that evolves from simple to surreal, inviting viewers to feel rather than fully understand.
