Cleo Diára , interview with the European Shooting Star 2026 from Portugal
To represent Portugal at the EFP’s European Shooting Stars 2026: Cleo Diára
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
In “Dao”, presented at the 76th Berlinale, director Alain Gomis balances moments of celebration with instances of mourning, reflecting the natural rhythm of life as described by the concept of Dao. The depiction of a wedding alongside a funeral ritual demonstrates how joy and grief coexist within cultural traditions. The film uses this duality to evoke a deeper understanding of identity and heritage, showcasing how these ceremonies serve as both homage and affirmation of life’s cyclical nature.
The concept of Dao serves as a central theme in the film, symbolizing ongoing movement, balance, and the interconnectedness of life. In cinema, it often guides the narrative rhythm, emphasizing the importance of harmony amid chaos. Films inspired by the Dao typically explore cycles of life, death, and renewal, creating a fluid storytelling arc that reflects this philosophical principle.
“Dao“, by director Alain Gomis exemplifies this approach by weaving together ceremonies and rituals that highlight both celebration and grief. The interconnectedness of these emotional tones mirrors the Dao’s core concept that life is a continuous flow of contrasting yet complementary forces.
The rhythm of the film aligns with the dao by emphasizing listening, intuition, and presence on set and in editing. Director Alain Gomis suggests that filmmakers must “hear” the footage and scenes rather than impose a rigid narrative, allowing the natural flow of the images and sounds to shape the story. This organic process results in a cinematic piece where the truth resides in the spaces between scenes, creating a resonant and authentic emotional experience.
The director’s personal connection to the themes of memory and heritage deeply influences the portrayal of rituals in “Dao“. Personal memories, such as the filmmaker’s own family ceremonies, are woven into the film’s fabric, providing authenticity and emotional depth. This approach ensures that the depiction of cultural practices is both respectful and layered, honouring individual stories while addressing universal themes of belonging and identity.
The film begins with a definition of its title: “DAO is a perpetual and circular movement which flows in everything and unites the world.” And then it proceeds to take us to the casting of Gloria, a character whose daughter is about to be married. An off-screen voice directing the casting session tells us that “the first step is to make this family”. Actors and non-actors are cast and brought together to become relatives who will all celebrate a wedding in Paris and commemorate the loss of their patriarch in Guinea-Bissau. Their individual stories and their common threads of heritage are woven together with fact and fiction as they travel between these two worlds; love, laughter, ritual, pain and history intertwined. Perpetual circular movement framing reality.
Written by: Cristiana Palmieri
Guest
Alain GomisFilm
DaoFestival
BerlinaleTo represent Portugal at the EFP’s European Shooting Stars 2026: Cleo Diára
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