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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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Director Clemens Pichler talks about his film "Diorama" #FutureFrames fredfilmradio
PODCAST | Matt Micucci interviews Clemens Pichler, director of Diorama from Future Frames at the 51st Karlovy Vary International Film Festival.
Clemens Pichler, director of Diorama, was selected for this year’s edition of EFP’s Future Frames at the 51st Karlovy Vary International Film Festival. This is a film that plays with conventional narrative structure, expanding it. We ask him about the genesis of the film and even whether there is any specific reason for making the film. The answer starts off with “filmmaking itself,” which is quite inspiring. In addition, Pichler shares with us his experiences at Future Frames and future plans, ambitions and projects.
DIORAMA: Diorama is a nightmarish trip through a couple’s memories and projections at the end of their long on/off relationship. The film depicts the the couple’s quest for the one true love, which, however, remains unfulfilled. A sparse desert landscape provides the surreal setting where Kolja and Rocio confront each other with memories of the darkest and manic moments of their time together. For them, the desert is not only a travel destination they never made it to but also represents a place of longing and hope. For an instant, a change of perspective and a chance to reconnect seems possible. However, the past has a firm grip on them and will not let go. Fond memories of the crazy-romantic beginning of their relationship are overcome by desires and anxieties. The cautious quest for new beginning ends as disaster – again. During their encounter in the unreal desert, their thoughts are haunted more and more by images from the past.
For more information on Future Frames, go to http://www.efp-online.com/en/project_talent_promotion/future_frames.php
Giornate degli Autori - Venezia
At the 22nd edition of the Giornate degli Autori, the GdA Director's Award goes to Inside Amir by Amir Azizi, a "meditation on everyday life" that intertwines memory and mourning.
Discover all the winners of Critics' Week 2025! Oscar Hudson's STRAIGHT CIRCLE wins the IWONDERFULL Grand Prize for Best Film.
Discover insights from Venice Film Festival with Fred.Fm, highlighting standout films, talented directors, and the vibrant connection between Latin American and European cinema.
"Funeral Casino Blues" director Roderick Warich discusses the film's themes of memory loss and the unseen faces of globalization at the Venice Film Festival.
