Transilvania International Film Festival
Pavle Vuฤkoviฤ, director of “Panama” #TIFF2016
Social media, pornography and other things influencing a world where love is a sign of weakness.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bรฉnรฉdicte Prot
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English – Channel 01
Transilvania International Film Festival
Patric Chiha, director of “Brothers of the Night” #TIFF2016
Seduction is business as usual for these young, wild and beautiful young Roma of the Viennese night.
Transilvania International Film Festival
Ibolya Fekete, director of Mom and Other Loonies in the Family #TIFF2016
A family's history through the 20th century.
Pablo Larrain, director of “Neruda” #Cannes2016
Walking the fine line between reality and imagination.
Kleber Mendonรงa Filho, director of “Aquarius” #Cannes2016
"Without actress Sonia Braga, the film would have been totally different"
Pia Lundberg, VP of European Film Promotion #Cannes2016
Producers on the Move and other EFP initiatives.
Martin Schweighofer, president of European Film Promotion #Cannes2016
EFP presents the 17th edition of Producers on the Move.
Helen Ahlsson, film commissioner of the Swedish Film Institute #Cannes2016
Looking back on the experience of being a participant of Producers on the Move.
Alex Brendemuhl and Louis Garrel on their roles in “From the Land to the Moon” #Cannes2016
Two lovers for Marion Cotillard.
An overview of this year’s Marchรฉ du Film from its head, Jerome Paillard #Cannes2016
An overview on the 2016 edition of one of the most important film markets in the world.
Maren Ade, director of “Toni Erdmann” #Cannes2016
A comedy about the "conflict of values" of a father and daughter
Pascal Diot talks about the next edition of the Venice Film Market #Cannes2016
The head of the Venice Film Market talks about what's in store for this year's edition.
Boo Junfeng, director of “Apprentice” #Cannes2016
The death penalty seen through a story about a young man obsessed with his past and an executioner.
Hayley Squires, actress in the film “I, Daniel Blake” #Cannes2016
The actress talks about her experience working with Ken Loach.
Mohamed Diab – director – Clash #Cannes2016
The opening film of Un Certain Regard 2016: a post-Egyptian revolution story.
Dave Johns – actor – “I, Daniel Blake” #Cannes2016
Making a feature debut in a Ken Loach film.
Tor Iben, director of “Where are you going, Habibi?” #TGLFF31
An impossible love story between a straight guy and a gay one, set in Berlin.
Wieland Speck, member of the feature competition jury at #TGLFF31
Our interview with the German filmmaker.
William Fairman and David Stuart on the film “Chemsex” #TGLFF31
The dangerous combination of sex and drugs in the gay community
Emanuele Nespeca, producer at Solaria Film #Cannes2016
Italian producer participating in the EFPโs Producers on the Move in Cannes 2016.
Neil Armfield, director of “Holding the Man” #TGLFF31
Based on Tim Conigrave's book, and awarded with a special mention at the 31st TGLFF.
Joรซl Jent, producer at Dschoint Ventschr Filmproduktion #Cannes2016
Joel Jent is Switzerlands Producer on the Move. He produced IRAQI ODYSSEY by Samir - Switzerland's contribution to the Academy Awards 2016.
Bostjan Ikovic, producer at Arsmedia #Cannes2016
Slovenian producer participating in the EFP's networking platform, which will take place in Cannes 2016.
Anamaria Antoci, producer at 4 Proof Film #Cannes2016
Romanian producer participating in the EFP's Producers on the Move in Cannes 2016.
Aet Laigu, founder and manager of Meteoriit #Cannes2016
Estonian producer participating in the EFP's Producers on the Move in Cannes 2016.
Actress Tuva Jagell talks about “Girls Lost” #yaa2016
One of the finalist films of the 2016 EFA Young Audience Award: "Girls Lost" (Sweden)
Actress Lena Magnien and director Emilie Deleuze talk about “Miss Impossible” #YAA2016
One of the finalist films of the 2016 EFA Young Audience Award: Miss Impossible (France)
Stefano Ferrari. Profession: Cinematographer
From Italy to the U.S., the journey of an Italian DOP
Dietrich Brรผggemann, director of “Heil” #fce2016
Satire as the only possible way to portray neo-Nazis' life stories in modern Germany.
Bujar Alimani, director of “Chromium” #fce2016
A film for the director to seek forgiveness and clearing his conscience for the mistakes of his childhood.
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