“Newport & The Great Folk Dream”, interview with Robert Gordon e Joe Lauro
"Our cinematic tribute to the powerful of music"
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
"Explanation for Everything", interview with director Gábor Reisz Laura Della Corte
At the 80th Venice Film Festival in the section Orizzonti, “Explanation for Everything” emerged as a compelling exploration of society’s complexities and the uncharted territory of youth in Hungary. Fred Film Radio had the privilege of interviewing Hungarian director Gábor Reisz, the creative mind behind this thought-provoking film, which marks his third feature after “For Some Inexplicable Reason” and “Bad Poems.”
The journey of “Explanation for Everything” began with a simple idea, one that would eventually unravel into a captivating narrative. The film tells the story of a student who wears a nationalist badge during a crucial exam, only to fail and resort to deception when facing his father. It was this initial premise that ignited the creative spark for Gábor Reisz and his co-screenwriter Éva Schulze, who served as both mentor and teacher.
During the initial phases of development, Gábor Reisz took a unique approach to character construction. He immersed himself in the characters’ world by writing in the first person singular for three months. This deep dive allowed him to craft multifaceted characters that would be central to the film’s narrative.
The turning point in the film’s creative process came with the decision to start the story on the night before the exam. This choice presented the opportunity to explore every facet of the characters’ lives, delving into their motivations, fears, and aspirations. With the story now in motion, the team quickly moved from script to shooting, embarking on a journey that would captivate audiences.
While “Explanation for Everything” delves into the intricacies of Hungarian youth, it was not born out of political motivation. Instead, it evolved from personal experiences and observations. During the film’s inception, Hungary witnessed a student blockade, a protest against educational reforms. Artists, including filmmakers, rallied in support of these young protesters, inspiring Gábor Reisz to explore their stories and motivations.
The heart of the film beats to the rhythm of education—a theme that resonates deeply with the director. The pressure exerted by parents, the pursuit of academic success, and the role of a history teacher become focal points within the narrative. It’s a reflection of the challenges faced by youth when navigating the delicate transition from adolescence to adulthood.
One of the film’s remarkable achievements is its avoidance of excessive political Manicheism. Gábor Reisz takes a balanced approach, mirroring his own uncertainty about political affiliations. The characters are presented in their entirety, showcasing both positive and negative aspects. This nuanced portrayal extends to society itself, highlighting the traumas and grievances of both political camps.
“Explanation for Everything” also addresses the influence of media hype and fake news. This theme draws from the distortions observed during the film school protests, shedding light on the power of media in shaping perceptions.
The film’s narrative structure, spanning ten days with distinct chapters for each character, adds a layer of complexity and engagement. Gábor Reisz finds joy in experimental storytelling, embracing the challenge of crafting a narrative that resonates in a landscape filled with countless stories.
In terms of mise en scène and photography, the film adopted a Dogma-style approach due to budget constraints. Natural light, minimal camera movements, and realistic sets created an authentic atmosphere. This approach allowed for flexibility and improvisation, enhancing the film’s authenticity.
As “Explanation for Everything” prepares for its release in Hungary on October 5, the director remains open to diverse reactions. He hopes that the film will serve as a catalyst for dialogue and debate, bridging the gaps in a society marked by complexity and a need for communication.
It’s summer in Budapest, high school student Abel is struggling to focus on his final exams, whilst coming to the realisation that he is hopelessly in love with his best friend Janka. The studious Janka has her own unrequited love with married history teacher Jakab—who had a previous confrontation with Abel’s conservative father. The tensions of a polarised society come unexpectedly to the surface when Abel’s history graduation exam turns into a national scandal.
Written by: Laura Della Corte
Mostra del Cinema di Venezia Orizzonti
Festival
Mostra del Cinema di VeneziaNo related posts.
"Our cinematic tribute to the powerful of music"
"A Dan in Vain" by Lee Hong-Chi is a powerful glimpse into Shanghai lost hopes, capturing young artists' internal struggles and societal pressures with minimal emotion.
Interview with Julian Schnabel and Oscar Isaac, director and actor of "In the hand of Dante", a story based in the novel by Nick Tosches
Jacopo Chessa came to talk to Fred about the new agreement that Italian Film Commissions Association has finalized with the British Film Commissions and also about the 5 titles that his film commission proudly suppeorted that were selected in various …
© 2023 Emerald Clear Ltd - all rights reserved.