“Heysel 85”, interview with director Teodora Ana Mihai
With Heysel 85, Teodora Ana Mihai turns a football tragedy into a mirror for today's world and the choices we make in times of crisis
With Heysel 85, Teodora Ana Mihai turns a football tragedy into a mirror for today's world and the choices we make in times of crisis
With Narciso, Marcelo Martinessi returns to the Berlinale with a film noir about desire, repression and the dangers of authoritarianism
With A Russian Winter, Patrick Chiha maps the frozen limbo of Russian exiles, nowhere in time and space
With Salvation, in competition at the 76th Berlinale, Emin Alper shows, by analyzing a village community, how people become radicalized.
A child of my own by Maite Alberdi marks the director’s return to Berlinale.
From Sundance to Berlinale, blending body horror and psychological thriller, comes Saccharine by Natalie Erika James
With "Isabel", Gabe Klinger finally shoots a film in his city São Paulo and his country Brazil.
"A Family" by Mees Peijnenburg, presented at the 76th Berlinale, is about two kids caught in the crossfire of their parents' divorce.
"No Good Men" by Shahrbanoo Sadat, the opening film of the 76th Berlinale, is a a political romantic comedy.