Karlovy Vary Film Festival Interview
“Self-Sown”, interview with director David Champaigne
Self-Sown director David Champaigne talks at Future Frames 2026 about growing up too fast, toxic masculinity and the privilege of European cinema
Karlovy Vary Film Festival Interview
Self-Sown director David Champaigne talks at Future Frames 2026 about growing up too fast, toxic masculinity and the privilege of European cinema
Karlovy Vary Film Festival International
EFP Future Frames 2026 returns to Karlovy Vary with ten emerging European directors and a programme focused on visibility, industry access and new voices.
Karlovy Vary Film Festival International
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
Karlovy Vary Film Festival International
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
Karlovy Vary Film Festival International
In "Madly", says director Paolo Genovese, 'we try to observe people from one point of view: our head, our brain. It's the same as the phone in "Perfect Strangers": it’s where we put all our life, all our secrets.'
Karlovy Vary Film Festival International
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
Karlovy Vary Film Festival International
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'
Karlovy Vary Film Festival International
Director Ondřej Provazník on "Broken Voices": 'I wanted to portrait the roots of the kind of #MeToo case that would come out ten, fifteen years after.'
Karlovy Vary Film Festival International
In "A Second Life", by French director Laurent Slama (previously working under the borrowed name of Elisabeth Vogler), Agathe Rousselle's stressed out character is balanced by 'a kind of angel', the kind of friend 'you want to have in your life.'