FRED’s Nicolò Comotti interviews Green Zeng, director of the film THE RETURN, which was presented in the International Critics Week section of the 72nd Venice Film Festival. Green Zeng presents his first feature “The Return”, a subtle and yet powerful look on today’s Singapore, with an eye on its dark past.
THE RETURN: Wen is a political detainee who is released after many years of imprisonment. Arrested for being an alleged communist, he returns, an old man, to an uneasy reunion with his children. Wen also wanders through the city to see how his homeland has transformed into a shining metropolis. He is philosophical about his long detainment without trial and is ready to move on. But as the past collides with the present, unforeseen circumstances force his journey to take a tragic turn.
The dystopian beauty of "Amoeba" by Tan Siyou, a film about girls seeking agency in a sterile, all-white society blending youth rebellion with societal critique. A girl gang with dreams and strength.
Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme.
"Aisha Can't Fly Away," first feature by Morad Mostafa explores migrant women’s struggles in Cairo with surreal elements, and blending different genres in a compelling narrative.
Many are the profound layers of "The Love That Remains", Icelandic entry for the Oscars, a film that evolves from simple to surreal, inviting viewers to feel rather than fully understand.