“Happy Holidays,” interview with Director Scandar Copti

Exploring cultural values and generational divides in “Happy Holidays”

In a profound interview, Scandar Copti, the director of “Happy Holidays”, section Orizzonti, delves into the emotional and thematic depth of his film. The story intricately weaves together the experiences of four interconnected characters—Rami, Hanan, Miri, and Fifi—each navigating the complexities of love, family, and societal norms. Set against a backdrop of shifting cultural values, the film reflects broader issues within their community.

A minor accident with major consequences

The narrative begins with a minor car accident during the Purim holiday, sparking a series of events that expose the characters to harsh life realities. “I was inspired by a conversation I overheard as a teenager about how deeply ingrained patriarchal values can compel even women to uphold them,” Copti explains. This insight became a foundational element in developing the characters and their intertwining stories.

A unique narrative structure

The film’s structure is crafted to immerse the audience in a unique narrative experience. Unlike traditional multi-strand films, “Happy Holidays” presents a different dynamic, leading viewers through the film’s events from one character’s perspective at a time. “This layered storytelling approach encourages empathy for each character, even when they make poor choices,” Copti shares.

Generational conflict between Rami and Hanan

Central to the film is the relationship between Rami and his mother, Hanan, showcasing a generational divide between traditional values and modern aspirations. “Hanan embodies the societal expectations imposed upon her, while Rami seeks to navigate these constraints in his own way,” Copti notes. Their interactions reveal the challenges family members face in understanding one another amidst prevailing cultural norms.

Themes of freedom and societal pressure

The film also highlights the notion that no one is truly free until everyone is free from oppression. “This message resonates deeply, especially in the context of Palestine and Israel, where identity and autonomy are constantly contested,” Copti emphasizes. He urges viewers to reflect on how societal pressures shape personal narratives.

The visual and emotional language of the film

The visual style of “Happy Holidays” plays a crucial role in conveying the emotional landscape of the characters. Copti uses thoughtful camera angles and lighting to create an atmosphere that amplifies the narrative stakes. “In a world where food becomes a medium of conflict, I wanted to highlight that through visual metaphors, showing how personal relationships are often influenced by societal expectations,” he states.

Casting non-professional actors for authenticity

Casting non-professional actors was integral to the film’s authenticity. “I believed that casting individuals who mirrored the characters’ real-life experiences would resonate deeply with the audience,” Copti shares. Extensive casting workshops fostered on-screen chemistry between the actors, creating an organic connection.

Looking ahead to festival premieres

As “Happy Holidays” prepares for its premiere at festivals like Venice and Toronto, Copti expresses hope for its impact. “I want viewers to spark conversations about the values and norms that shape our lives,” he asserts. By presenting a story that resonates with both Palestinian and Israeli experiences, Copti aims to bridge cultural divides and foster dialogue around shared emotions.

A resonant narrative on love, duty, and freedom

In conclusion, “Happy Holidays” emerges as a powerful narrative that examines familial relationships, societal expectations, and the complexities of human emotions. Through Scandar Copti’s thought-provoking direction, the film invites viewers to reflect on their experiences of love, duty, and freedom, making it a deeply resonant work in contemporary cinema.

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