Interview with Georgia Cecconi, Director of West London Film Production at Focus London 2025
An esclusive interview with Georgia Cecconi, director of West London Film Production, on Focus London 2025 and why collaboration beats competition.
An esclusive interview with Georgia Cecconi, director of West London Film Production, on Focus London 2025 and why collaboration beats competition.
Alberto Battocchi, film commissioner at Trentino Film Commission, on Focus London 2025, Vermiglio, Green Film and Trentino’s evolving role on screen.
An exclusive interview to Stefania Ippoliti, Director of Toscana Film Commission, on Focus London 2025, from “The Monster of Florence” to Shonda Rhimes dreams.
Diego Cavallo, Partner at Panorama Films, on Focus London 2025, working on “Mission: Impossible”, “The White Lotus” and filming Italy at scale.
An exclusive interview to Andrea Rocco, director of Sardegna Film Commission, on Focus London 2025 and why Sardinia works on screen — island or not.
Matteo Garnero, head of marketing at Genova Liguria Film Commission, on Focus London 2025 and moving Liguria from the B-League to Hollywood.
Discover how the Italian Film Commissions Association is boosting international co-productions and location scouting, strengthening Italy’s global film industry.
An exclusive interview to Gianluca Leurini, executive producer at Eagle Pictures, on Focus London 2025, from “Dune: Part Two” to extreme shoots in the Italian mountains.
An exclusive interview to Riccardo Neri, executive producer at Lupin Film, on Focus London 2025, “The Hand of God”, “Majonezë” and protecting cinema’s future.
Talking with the directors of Italian film commissions like Veneto, Valle d'Aosta, and Torino Piemonte we shed some light on their work and how they are boosting regional film industries through international collaborations, funding, and storytelling.
Through the words of the director Andrea Rocco, let's discover how Sardegna Film Commission boosts local productions with tailored funds, expert services, and training—making Sardinia a prime filming destination.
Discover how the Trentino Film Commission attracts top productions, boosts local industry, and promotes the region’s culture through innovative film support.
In her interveiw with Fred radio, Emma Barboni form the Emilia Romagna Film Commission highlights the region's efforts to attract international film coproductions, showcasing new projects, locations, and regional incentives for filmmakers. And praises "The Kidnapping of Arabella", by Carolina …
Beatrice Borgia, president of the Film Commission Torino Piemonte, talks about the involvement in the production of the film "la Grazia " by Paolo Sorrentino, which opened the Venice Festival, and the great job that is done by all the …
Our usual meeting with the director of the Venice Production Bridge, Pascal Diot, we talk about the results of this year's event and discuss the possible evolution and novelties for the next edition
A survey over more that 10 years of work have shown the real economic impact of the film productions on the territory. Alessandra Miletto, director of the Film Commission Valle d'Aosta walks us through these results and their significance.
We met with Renate Ranzi, of the IDM Music & Film Commission of Sudtirol. We talked abut the Leonardo Di Costanzo film that has been shot with their support and about all the funds and help they can provide to …
Talking with Pascal Diot, director of the Venice Production Bridge, we got insights into this year's event, highlighting its role in connecting immersive content markets and supporting international film and TV projects.
Stefania Ippoliti is the director of the Tuscany Film Commission, in Cannes to present to producers the activities and programme of the film commission but also to promote a film in the festival slection that was shot in te region …
Paolo Manera is the director of the Film Commission torino Piemonte, in Cannes to celebrate the 25 years of activity, with a big event and the help of public and private partners that believed in the objectives the commission is …
Project coordinator of MASO and Coordinator film Location at the IDM Film Fund, Renate Ranzi talks about their first experience with the project and launches the new Call of entries
Kesmat El Sayed, one of the speakers on a panel on Arab Cinema, held in the frame of the World Cinema Fund days at the Berlinale 2025, is a producer from Egypt, based in Germany, who explains the difficult work …
Emma Barboni, film commissioner of the Emilia Romagna Film Commission, tells us about the production of the film "Paternal Leave" by Alissa Jung, presented in the Generation section of the Berlinale, and also about the new funds available for film …
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
Stefania Ippoliti, director of the Toscana Film Commission, is proud to share with us the development and the success of Manifatture Digitali Cinema, an education program for soon-to-be professionale in the film production field, created and acted in Prato, Tuscany.
Alessandra Miletto, director of the valle d'Aosta Film Commission talks about the birth fo three new production companies in the region, to make the territory more competitive production-wise, and also about the rise of the cap in film funding.
Birgit Oberkofler, Head Film Fund & Commission, of the IDM Film Commission Südtirol presented the two new funds IDM has started, one for Music and the other for Distribution, and also shared the experience of helping the production of "Vermiglio", …
Tricia Tuttle talks about her first experience as Director of the Berlin International Film Festival, with the tradition that she has been put in charge to bring on, working through the new tendencies and the new features of the contemporary …
Under the big family of Berlinale Pro*, Berlinale Talents continues on its mission of focusing on creative people.
The Berlinale Pro* Director Tanja Meissner introduces the concept of the Berlinale Pro* and the 2025 initiatives: the EFM – Distributor Award and Innovation Hub