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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Elena Di Giovanni interviews Enrico Pigliacampo about the Live Text Access (LTA), project for real-time subtitling through respeaking and velotiping.
To listen to this programme, click on the ► icon on the right, just above the picture
Enrico Pigliacampo talks about Live Text Access (LTA), project co-funded by the ERASMUS+ programme of the EU. LTA is a strategic partnership addressing inclusion and innovation in higher education with a focus on three European priorities: development of curricula to meet labour market and societal needs, open education in the digital era and social inclusion.
Real-time subtitles enable live access to audiovisual content and in situations where support for communication is required. The need for real-time subtitles has risen since the adoption of the United Nations Convention on the Rights of Persons with Disabilities (UNCRPD) by the European Accessibility Act and the Audiovisual Media Service Directive. They urge service providers to ensure access to people with a visual or hearing disability.
The project has a balanced participation of three universities SDI, UAB and SSML, two accessibility service providers Sub-Ti Access and Velotype, one production company ZDF Digital, one certification association ECQA and one end user associations EFHOH.
For more information about Live Text Access (LTA) project, click here.
Interview with Kirk Petruccelli, production designer of "The Caine Mutiny Court-Martial", a new version of the classical play directed for the screen by the late William Friedkin
Nehir Tuna, director of "Yurt", discusses the challenges of making a personal and impactful film. Director Nehir Tuna brings his personal experiences to the screen, highlighting the isolation and pressure faced by Ahmet as he navigates the expectations of his …
Explore the complexities of Hungarian youth in Gábor Reisz's 'Explanation for Everything,' a film that defies political stereotypes.
"Hollywood gate" a former American military base now in the hands of the Taliban.
"Greek Apricots", a seemingly incompatible pair forming a bond during a night in a gas station
"Skin on Skin", the passionate and unexpected love story by Simon Schneckenburger is taking part to the 8th edition of Future Frames at KVIFF
Dissection of an incoherence in crisis, a Catalan but universal story world premiering at the 8th Future Frames at the KVIFF
Paolo Sorrentino’s “La Grazia” to open the 82nd Venice Film Festival on August 27, 2025. World premiere with Toni Servillo in competition at Biennale Cinema.
