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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LITHUANIAN Channel 24
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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Josh Siegel, film curator, member of the jury of Giornate degli Autori Angelo Acerbi
Josh Siegel, film curator at MOMA in New York is one of the members of the first ever jury at Giornate degli Autori. He is happy to be here as he has a great admiration for Gaia Furrer, the director fo Giornate degli Autori , and all her team. We talked about this experience and also about his job as film curator.
Josh Siegel is adamant on having an open mind as the only possible approach to the task of judging a film. The open mind is not only referred to the various genre of films you can potentially watch, but also to the ideas and sensibility of your fellow jurors, that have different taste that could be challenging to you but maybe could shed a new light on your vision of a film.
The joy of his job lies on the possibility of celebrating great directors on the recent or older past (like Chantal Ackerman, with a retrospective to open in two weeks time), as well as discovering new talents new directors he ‘ve never heard of before. Again, all is about being receptive.
It is true, Josh Siegel explains, that MOMA has been the first museum that considered cinema as an art form as well as painting and sculpture, photography, design , architecture. This oriented films in a larger context, in the whole story of modernism and contemporary art . In addition to that, MOMA has an audience composed by scholars as well as regular film goers so our aim is to educate and entertain, that gives us a chance of wider possibilities of programming.
Giornate degli Autori - Venezia
Fred.Fm presents "Bearcave": a haunting Greek inspired film blending dark and folklore, with immersive sound design and compelling storytelling.
Giornate degli Autori - Venezia
"Memory": A fake script, hidden truths & King Kong as a protector. Discover the incredible story behind this Venice Film Festival standout.
Giornate degli Autori - Venezia
Mónica Taboada-Tapia, director, “Alma del desierto”, a heartfelt documentary following the struggle for justice of Georgina, a transgender Indigenous woman in Colombia
Giornate degli Autori - Venezia
“I hope that you got out of the film wanting to break the silence, having courage to speak out”
"A Dan in Vain" by Lee Hong-Chi is a powerful glimpse into Shanghai lost hopes, capturing young artists' internal struggles and societal pressures with minimal emotion.
Jacopo Chessa came to talk to Fred about the new agreement that Italian Film Commissions Association has finalized with the British Film Commissions and also about the 5 titles that his film commission proudly suppeorted that were selected in various …
At the closing ceremony of the 82nd Venice International Film Festival, Jim Jarmusch won the Golden Lion with Father Mother Sister Brother.
In her interveiw with Fred radio, Emma Barboni form the Emilia Romagna Film Commission highlights the region's efforts to attract international film coproductions, showcasing new projects, locations, and regional incentives for filmmakers. And praises "The Kidnapping of Arabella", by Carolina …
