“The Mahabharata”, interview with producer Simon Brook
"I think the story is tragically more relevant maybe than ever in its thousands of years of existence"
Listeners:
Top listeners:
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
play_arrow
POLISH Channel 05
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
play_arrow
PORTUGUESE Channel 08
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
play_arrow
SLOVENIAN Channel 10
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
play_arrow
LATVIAN Channel 18
play_arrow
DANISH Channel 19
play_arrow
HUNGARIAN Channel 20
play_arrow
DUTCH Channel 21
play_arrow
GREEK Channel 22
play_arrow
CZECH Channel 23
play_arrow
LITHUANIAN Channel 24
play_arrow
SLOVAK Channel 25
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
play_arrow
"Kim Novak's Vertigo", interview with the director Alexandre O. Philippe Angelo Acerbi
The documentary “Kim Novak’s Vertigo” offers an intimate portrait of the Hollywood star renowned for her role in Alfred Hitchcock’s masterpiece, Vertigo. Filmmaker Alexander O. Philippe sheds new light on Kim Novak‘s extraordinary life, revealing personal insights and emphasising her often-overlooked filmography. We have an interesting talk before the Premiere at the Venice Film Festival.
The documentary delves into Novak’s personal life, highlighting her deep connection with director Alexander O. Philippe. According to the filmmaker, their bond evolved quickly, allowing Novak to share candid reflections about her experiences in Hollywood. The director describes her not merely as the star of Vertigo but as a “wonderful person” who profoundly impacted his life.
Throughout the film, Novak openly discusses her feelings about Hollywood’s manipulative nature and her resistance to it. She recounts how the industry often manipulated her image and choices, emphasizing her desire to remain true to herself. Such honesty offers viewers a rare glimpse into the actress’s internal struggles—elements that are often glossed over in Hollywood portrayals.
A significant aspect of the documentary is its emphasis on Novak’s diverse and underrated filmography. While most audiences associate her with Vertigo, O. Philippe advocates for a broader appreciation of her work. He highlights films like “Stranger when we meet”, “Lylah Claire”, “Kiss me stupid”, and “Middle of the night”. “Her films are astonishing”, he remarks. “We need to bring her back into the spotlight and reevaluate her contributions to cinema”. The documentary suggests that Novak’s lesser-known works are ripe for rediscovery and deserve recognition on the same level as Vertigo.
One of the film’s intriguing elements is its narrative structure, which mirrors Vertigo’s spiral motif. Novak’s reasons for leaving Hollywood remain elusive, presented as a series of revelations that change with each retelling. Alexander O. Philippe emphasizes that life, much like Novak’s story, is complex and full of convoluted, non-linear truths.
This approach underscores Novak’s core belief in staying true to herself. She left Hollywood because she felt she could no longer remain authentic within its confines, a decision driven by her desire for integrity rather than external pressures.
“Kim Novak’s Vertigo” is more than a tribute; it’s an invitation to reevaluate one of Hollywood’s most enigmatic actresses.
As O. Philippe I notes, Novak’s story reflects broader themes of self-preservation and artistic integrity amid Hollywood’s often harsh realities. This documentary encourages new generations to explore her filmography and understand her true legacy, which extends far beyond her iconic performance in Vertigo.
For cinephiles and newcomers alike, “Kim Novak’s Vertigo” is a compelling portrait of a talented actress whose influence continues to resonate within cinema history. A must-watch for anyone interested in Hollywood’s golden age and the stories seldom told behind the camera.
Kim Novak’s Vertigo is an intimate portrait of a fiercely independent Hollywood star who left it all behind to live life on her own terms, revealing a haunting, resilient journey of art, identity, and authenticity in the shadow of one of cinema’s most iconic roles.
Written by: Angelo Acerbi
Golden Lion for Lifetime Achievement Kim Novak Lifetime Achievement
Guest
Alexander O. PhilippeFilm
Kim Novak's VertigoFestival
Mostra del Cinema di Venezia"I think the story is tragically more relevant maybe than ever in its thousands of years of existence"
“This year we have three films coming from Final Cut in Venice 2023 selected in Venice”
Sigourney Weaver, recepient of the Golden Lion for Lifetime Achievement in Venice.
“Her aesthetics is still here”. Sandra Maischberger, producer of “Riefenstahal”, discusses the documentary about the German filmmaker.
Alberto Battocchi, film commissioner at Trentino Film Commission, on Focus London 2025, Vermiglio, Green Film and Trentino’s evolving role on screen.
Simone Gandolfo, President of Valle d’Aosta Film Commission, on Focus London 2025 and why the Alpine region is a hidden gem for film and TV producers.
todayDecember 12, 2025 4
Wim Wenders will preside over the International Jury of the 76th Berlinale, overseeing the selection of the Golden and Silver Bears in February 2026.
Jacopo Chessa, director of Veneto Film Commission, on Focus London 2025 and a standout year spanning Cannes, Venice and global productions.
© 2023 Emerald Clear Ltd - all rights reserved.