“Late Fame”, interview with director Kent Jones and actor Edmund Donovan
Interview for "Late Fame", directed by Kent Jones and presented at Orizzonti in Venice 82, with director Kent Jones and actor Edmund Donovan
Listeners:
Top listeners:
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
POLISH Channel 05
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
PORTUGUESE Channel 08
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
SLOVENIAN Channel 10
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
LATVIAN Channel 18
DANISH Channel 19
HUNGARIAN Channel 20
DUTCH Channel 21
GREEK Channel 22
CZECH Channel 23
LITHUANIAN Channel 24
SLOVAK Channel 25
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
"Memory of Princess Mumbi", interview with director Damien Hauser and actress Shandra Apondi Elvira Del Guercio
A groundbreaking new film is making waves at the Venice Italy film festival, blending science fiction with African storytelling. During Giornate degli Autori, filmmaker Damien Hauser and actress Shandra Apondi discussed the innovative approach behind “Memory of Princess Mumbi“, emphasizing its role in shaping the future of African cinema and its recognition on the international stage. With themes of humanism, AI, and experimental visuals, the film marks a significant departure from traditional narratives, promising to influence both local and global cinematic landscapes.
“Memory of Princess Mumbi” stands out as a visionary project that marries science fiction with deep human themes. The creators highlighted how the film explores a futuristic vision rooted in African perspectives, diverging from conventional sci-fi tropes. “It’s very different from anything I’ve ever made before,” one filmmaker shared. “I wanted to blend elements of humor, family moments, and a sense of humanism, all while imagining possible futures.” This experimental approach aims to elevate African cinema to new heights, opening doors for stories grounded in local culture but reaching an international audience.
The film’s narrative centers on building complex characters, inspired by real-life experiences and personal stories. “I didn’t follow any particular story; I tried to be that girl — authentic and unique,” a director explained. The focus on genuine character-building, set against a backdrop of futuristic footage, creates a distinctive visual and emotional experience. This approach allows audiences to connect deeply with characters grappling with themes like technology and human relationships, all within an African context.
Festival attendees emphasized the significance of this movie for African cinema’s global recognition. “This film is a reflection of how African cinema can innovate and inspire,” remarked one participant. The filmmakers expressed a hopeful outlook that this film could inspire a new wave of African sci-fi movies, further positioning the continent as a hub for creative filmmaking. They noted that African cinema is emerging as a vibrant, experimental force capable of engaging audiences worldwide.
The filmmakers also discussed the role of artificial intelligence in bringing “Memory of Princess Mumbi” to life. They acknowledged both its potentials and challenges. “I’m scared because AI is growing so rapidly, and it’s powerful,” one artist admitted. Yet, they also recognized AI’s positive role in expanding creative possibilities, especially for producing science fiction on limited budgets. “Without this technology, making a sci-fi film like this would be almost impossible,” they added. The integration of AI signifies a new era in filmmaking, offering innovative tools but also raising questions about authenticity and control.
As “Memory of Princess Mumbi” garners attention at international festivals, its creators hope it signals a broader shift in African genre cinema. The film’s experimental nature and thematic depth showcase a fresh voice ready to challenge stereotypes and traditional storytelling methods. “There will be many films like this to come,” they affirmed, shattering misconceptions about what African cinema can accomplish.
In summary, “Memory of Princess Mumbi” exemplifies a bold step forward for African filmmakers aiming to combine science fiction with cultural specificity. Its innovative approach, combined with emerging technologies like AI, promises to influence future generations and elevate African stories on the global stage.
In 2094, aspiring director Kuve films a documentary on the Great War of the 2070s, which erased modern technology and revived kingdoms. Expecting to find despair in Umata, the heart of the war’s aftermath, he instead discovers a village that has found peace. There, he meets Mumbi, who shows him the beauty in everyday moments. Memory of Princess Mumbi unfolds through Kuve’s old behind-the-scenes footage, capturing how people find meaning in a tragic world and how even the smallest moments can hold profound beauty.
Written by: Elvira Del Guercio
Festival
Mostra del Cinema di VeneziaInterview for "Late Fame", directed by Kent Jones and presented at Orizzonti in Venice 82, with director Kent Jones and actor Edmund Donovan
"Bugonia" by Yorgos Lanthimos marks the director’s come back to Venice competition after "Poor Things".
Milk Teeth: Director Mihai Mincan reveals the personal inspiration and chilling sound design behind his new film at the Venice Film Festival. Discover the secrets!
todayAugust 29, 2024 1
“Pooja, Sir” tells stories of discrimination in Nepal. Discover how cinema can promote empathy and understanding across communities.
Listen Global Critics Venice Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the 82nd Venice International Film Festival.
Giornate degli Autori - Venezia
The unique spirit of "A sad and beautiful world" by Cyril Aris, premiering at Giornate degli Autori in Venice Film Festival
Interviewing Imran Perretta, director of "Ish", premiering at International Critic's Week
In his film "Made in EU", director Stephan Komandarev unveils in his documentary what truly hides in the eastern Europe textile supply chain
© 2023 Emerald Clear Ltd - all rights reserved.