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PODCAST| Matt Micucci interviews Ofir Raul Graizer, director of the film The Cakemaker.
Ofir Raul Graizer talks about his directorial feature debut, The Cakemaker, which was screened in competition at the 2nd International Film Festival & Awards Macao. Graizer defines this film as a personal story; here he tells us why. Certainly, his personal connection to the story must have added to his passion for making it, despite the difficulties he encountered in raising sufficient funds to make it, which he explains here. The director also talks about how the film reflects upon the theme of love through the story of the connection between two people who, despite being worlds apart, have both lost someone they deeply cared about. The Cakemaker, as the title might suggest, includes several beautiful shots of food and cakes; this, Graizer agrees, is an important part of the film.
The Cakemaker: Thomas, a young German baker who runs a popular pastry shop in Berlin, is having an affair with Oren, a married man from Israel who has frequent business visits to Germany. When Oren dies in a car crash in Israel, Thomas travels to Jerusalem seeking answers about his death. Disguising his relationship to Oren, Thomas infiltrates the life of his late lover’s widow Anat who owns a small café in the city and starts to work for her. As his traditional cakes and cookies bring the establishment to life, Thomas finds himself involved in Anat’s life in a far deeper way than he ever anticipated.
The professor of Audiovisual Translation Pilar Orero, in Rome for Audecon, remarks that media accessibility is a human right that should be always granted.
Embark on a cinematic voyage with director Amanda Nell Eu as she delves into the horrors of puberty and societal fears surrounding the female body. 'Tiger Stripes,' her latest creation, weaves a tapestry of coming-of-age and monstrous femininity. Join us in unraveling the layers of Eu's inspiration and the unique …
Embark on a cinematic voyage with director Amanda Nell Eu as she delves into the horrors of puberty and societal fears surrounding the female body. 'Tiger Stripes,' her latest creation, weaves a tapestry of coming-of-age and monstrous femininity. Join us …
"My movie plays on the idea of the collective unconscious, in a moment in which we live our lives so connected even if we are distant"
"We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible"
