Rakhshan Bani-Etemad talks about her outlook on Iranian’s society, her main source of inspiration to write the stories she tells. She also talks about the process of creating a feature film from a series of shorts to bypass government’s restriction on film making in Iran.
TALES: The film is made up of several loosely connected episodes, depicting people from many backgrounds at the margins of Teheran’s society: a taxi driver who tries to help a drug-addicted sex worker, a group of unemployed factory workers confronting government bureaucracy, a social worker running from the husband who disfigured her, and a documentary filmmaker are among those whose lives intersect. The brilliant dialogue strikes the perfect balance between drama and comedy, combining fascinating stories of loss and love.
"Aisha Can't Fly Away," first feature by Morad Mostafa explores migrant women’s struggles in Cairo with surreal elements, and blending different genres in a compelling narrative.
Many are the profound layers of "The Love That Remains", Icelandic entry for the Oscars, a film that evolves from simple to surreal, inviting viewers to feel rather than fully understand.
"El Sett", the sumptuous film by Marwan Hamed reveals how music and culture thrive amid challenges, showcasing resilience and rich traditions in a captivating, behind-the-scenes look. The astounding life of Umm Kulthum is told through a personal and intimate lens.