PODCAST | Matt Micucci interviews Simon Jaquemet, director of the film The Innocent.
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An interview with director Simon Jaquemet, who presented his latest film, The Innocent, at the 2019 Transilvania International Film Festival in Cluj, Romania. The film revolves around a woman working in a research facility involved in head transplants for monkey, and is marked by themes of religion, science and morality. We talk about these themes at great length, even asking Jaquemet whether he believes in God, and whether ge believes that religion does have an important role in life and the world at large. He also talks about the connection his film has with dreams, seeking a subjective response from the viewers of his movies, and much more.
The Innocent: Ruth works in a neuroscience research lab, as much as she’s part of an extreme traditionalist and conservative Christian family. She suddenly finds herself facing her own past when her former lover reemerges after disappearing twenty years in jail, putting into question her feelings, her life and soon her faith.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'