Listeners:
Top listeners:
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
play_arrow
POLISH Channel 05
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
play_arrow
PORTUGUESE Channel 08
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
play_arrow
SLOVENIAN Channel 10
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
play_arrow
LATVIAN Channel 18
play_arrow
DANISH Channel 19
play_arrow
HUNGARIAN Channel 20
play_arrow
DUTCH Channel 21
play_arrow
GREEK Channel 22
play_arrow
CZECH Channel 23
play_arrow
LITHUANIAN Channel 24
play_arrow
SLOVAK Channel 25
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
play_arrow
"The Old Oak", interview with director Ken Loach and screenwriter Paul Laverty Giulia Bianconi
Sense of community, solidarity, humanity, mutual understanding and hope can help to overcome the gap that divides different people. After winning two Palms d’Or (for “The Wind That Shakes the Barley“ and “I, Daniel Blake“), Ken Loach has returned in competition at Festival de Cannes 2023 with “The Old Oak“, a political and social movie always written with Paul Laverty, and in Italian cinemas from November 16th distributed by Lucky Red.
During our meeting in Cannes, Loach said: “Strength, solidarity and resistance are words of our time. But there are other important words, such as organization. Without it we cannot win”.
According to the director, 87 years old, “We live in a digital society that isolates us from each other and makes it difficult to create moments of solidarity. But community forms are possible, because the problems affect everyone”.
Loach and Laverty believe in hope, as we can see in “The Old Oak“: “Hope is a political question. If people have hope it means they believe they can change things. If people don’t have hope, they are cynical, feel weak and desperate”.
The Old Oak is a special place. Not only is it the last pub standing, it is the only remaining public space where people can meet in a once thriving mining community that has now fallen on hard times after 30 years of decline. TJ Ballantyne (Dave Turner) the landlord hangs on to The Old Oak by his fingertips, and his hold is endangered even more when The Old Oak becomes contested territory after the arrival of Syrian refugees who are placed in the village. In an unlikely friendship TJ encounters a young Syrian, Yara (Ebla Mari) with her camera. Can they find a way for the two communities to understand each other? So unfolds a deeply moving drama about loss, fear and the difficulty of finding hope.
Project Manager Nikola Joetze and Programme Manager Tobias Pausinger on this year’s theme: “Creating (and) Confusion – Cinema, Chaos and the Power of Discomfort.”.
The Berlinale Pro* Director Tanja Meissner introduces the numerous new initiatives the EFM is starting this year such as the EFM Animation Days, EFM Beyond and EFM Frontières Focus
Discover the secrets of the Co-Production Market at Berlinale—top projects, selection process, and how it fuels international collaborations in film and series, through the words of is Head, Martina Bleis.
INCinema - Il Festival per Tutti
INCinema returns to Florence on January 31, 2026 at the Cinema La Compagnia with Radiance by Naomi Kawase and The Way We Were by Sydney Pollack.
