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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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POLISH Channel 05
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SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
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FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
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PORTUGUESE Channel 08
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ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
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SLOVENIAN Channel 10
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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LATVIAN Channel 18
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DANISH Channel 19
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HUNGARIAN Channel 20
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DUTCH Channel 21
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GREEK Channel 22
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CZECH Channel 23
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LITHUANIAN Channel 24
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SLOVAK Channel 25
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | David Martos interviews Alex Carvalho, director of the film Salamandra.
Alex Carvalho, director of Salamandra, talks to FRED about being selected by the Settimana Internazionale della Critica in the 78th Mostra de Venezia. His first feature film, set in his hometown Recife, depicts how a woman -portrayed by Marina Fois- seeks for freedom after taking her of her dying father. Carvalho says this purchase of freedom is present in every character of the film.
Salamandra: In the wake of the years lost to the strain of her father’s care. Catherine feels smothered by the difference between her feelings and real life. She escapes to Brazil, hoping to reconnect with her sister. Finally unburdened yet still unable to overcome her anxiety, she stumbles into an improbable relationship with an attractive young man. Gil presents her a second chance to experience the time she might have lived had things been different. Determined to begin again, Catherine must decide whether to see her reinvention through to its violent and irrevocable conclusion.
Critics Week - Mostra del Cinema di Venezia
An exclusive interview with the director Julia Fuhr Mann. The question proudly raised in "Life is Not A Game, But I Am Winning" is: If victory is written by victors, where does that leave those who were never allowed to …
27 Times Cinema - Mostra del Cinema di Venezia
27 Times Cinema at Venezia 79.
A portrait of the war in Syria from the perspective of a young girl whose father doesn't want to leave her home.
Is it possible to start a new life with a new identity?
The Festival de Cannes programme, now featuring thirteen new additions including new works by Hazanavicius, Desplechin, Stone, and Rúnarsson.
Touched by Claudia Rorarius, after Locarno is finally landing the 37th Bolzano Film Festival competition
Dancing Queen by Norwegian director Aurora Gossé lands at the Bolzano Film Festival after premiering in the Berlinale generation.
A Forgotten Legacy: Iossif Vardakis Explores LGBTQ+ History in "AKOE/AMFI – The Story of a Revolution" at the 39 Lovers Film Festival
