PODCAST | Chiara Nicoletti interviews Corneliu Poromboiu, director of the film La Gomera.
After Cannes 2019′ success, Corneliu Poromboiu brings his La Gomera at the 37th Torino Film Festival in the Festa Mobile section. Accompanied by his “dark lady” Catrinel Marlon, the rumenian director reveal the genesis of the film and the idea of building a film around “silbo”, a strange and whistled language people speak in a small island close to Tenerife, La Gomera. By homaging the classics of the thriller and noir genre, Poromboiu creates a neo-noir film with a touch of irony and comedy.
La Gomera: A corrupt Romanian policeman is in a big mess; he travels to a small island in the Canaries (the one in the title) in the company of a femme fatale to learn a strange language made of whistles which he intends to use as a code during a crime. The craftiest and most ironical director of the Romanian Nouvelle Vague creates a surreal, noir, and melodramatic comedy with masterly disenchantment, framing his story with music that ranges from The Passenger to the Radetzky March.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'