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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST | Matt Micucci interviews Sara Mesfer, director of the film The Girls Who Burned the Night.
Director Sara Mesfer talks about The Girls Who Burned the Night, which has been presented at various film festivals and is also screening at the Palm Springs International Festival of Short Films. She talks about its store, the challenge of casting the role and the importance of the specific location in which it is set. The conversation also touches on the current cinematic movement of Saudi Arabia and her personal motivations in making movies.
The Girls Who Burned the Night : traces two sisters, Salsabeel and Wassan on an engagement night, after one of them was denied to go to the nearby grocery store. The narrative follows the post-rejection agony of the two sisters, as they are pushed to discover themselves and each other in order to survive some unexpected and harsh realities.
Michel Franco about "Dreams" : 'When the father says "It’s okay to help immigrants, but there are limits," that’s the biggest question in the film: can people [from different contexts] truly see each other as equals?'
"Future Future" director Davi Pretto: 'The apocalypse is not what Hollywood says it is, a huge bang. That's not the apocalypse. The apocalypse is happening every day.'
'The screenplay of "They Come Out of Margo"', says director Alexandros Voulgaris, 'started with another composer, then it became personal, and then it also became about female artists in the 70s and 80s.'
"Bidad" director Soheil Beiraghi: 'A lot is happening in Iran: there is life, their is beauty, and there is a happiness around, and we need to portray that.'
