54 – The Director’s Cut : The TGLFF Follow-up
The long way to a direcotr’s cut goes trhough strength and patience. But it was worth it!
A delicate portrait of a teenage girl’s struggle to find her place in the world.
Two love stories with one reference point, ANGELICA
Studying people and creativity: Matt Porterfield shoots in Berlin.
A NASTY BABY to leave the audience morally confused.
Nathan Silver’s portrait of a group of people on the verge of a synchronized nervous breakdown.