In a revealing interview during the 27th edition of the Far East Film Festival, I had the pleasure of speaking with Roger García, a distinguished film producer and a key advisor for the Asian Film Awards Academy, as well as an artistic consultant for the Hainan Island International Film Festival. Roger García enthusiastically shared his cinematic journey, identifying himself primarily as a cinephile who has devoted his life to celebrating the art of film.
From Critic to Curator: Embracing Diverse Roles
When introducing himself to younger generations unfamiliar with his work, García emphasized his origins as a viewer and critic at heart. His deep-rooted passion for cinema propelled him into diverse roles within the industry, where he not only curates films for prestigious festivals but also produces engaging projects that resonate with his own artistic interests. He believes the essence of his work lies in showcasing films that ignite curiosity and foster engagement in audiences.
During our insightful conversation, we explored the challenge of presenting festival films to broader audiences. García highlighted the tension between cinema as a revered art form meant for the big screen and the modern viewer’s preference for small screens. He noted that many films crafted for theatrical release often struggle to reach audiences beyond festival circuits. This led to a compelling discussion on how film festivals serve as vital communal spaces that cultivate shared experiences among viewers, in contrast to the solitary nature of home viewing.
The Evolution of Viewing Habits
As we navigated the current state of film consumption, García underscored the shift in audience preferences toward binge-watching series on streaming platforms. He expressed intrigue about how this transformation affects storytelling and duration in the cinematic experience, pondering whether we might witness the regular emergence of longer-form narratives in festival settings. His insightful analysis of the evolving film landscape drew parallels between binge-watching and traditional cinema experiences, sparking dialogue on how festivals might adapt to this evolution in viewer habits.
Throughout the discussion, García shared his admiration for directors who challenge conventional storytelling methods, emphasizing that impactful cinema transcends genres and delves into unique themes. He expressed keen interest in filmmakers like Harmony Korine and Steven Soderbergh, whose works push the boundaries of cinematic expression. For García, what matters most is the intention behind a film—the “reason for its existence”—as he continuously seeks out narratives that offer fresh perspectives and challenge viewers’ perceptions.
In this enlightening interview, Roger García reflected on his extensive career while voicing his excitement for the future of cinema. As we concluded our conversation, it was clear that his passion for storytelling remains as vibrant as ever.