“Her Private Hell”, interview with director Nicolas Winding Refn
Nicolas Winding Refn on Her Private Hell, his first feature in ten years, in Italian cinemas from October 1.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
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"Dead Man's wire", interview with the director Gus Van Sant Angelo Acerbi
We met with Gus Van Sant before the screening of his new film “Dead Man’s Wire”, at the 82 Venice International Film Festival, to talk about a story inspired by a real 1977 Indianapolis kidnapping. Van Sant reflects on how the film balances entertaining absurdity with serious issues like media manipulation and police conduct, providing viewers with both laughter and food for thought.
At the heart of “Dead Man’s Wire” lies a startling true story. In 1977, a man named Tony orchestrated an elaborate plan to kidnap a mortgage company president during a presentation. His goal was to demand an apology to be broadcast live on television, as part of a highly unconventional ransom. Gus Van Sant highlights how the real event was unpredictable—Tony essentially improvised while having a well-prepared scheme. His demands, including a neck-attached gun and televised apology, showcase a bizarre yet pointed critique of corporate and media culture.
Gus Van Sant emphasises that the “Dead Man’s Wire” meticulously portrays the police response of the era—a stark contrast to contemporary tactics. In 1977, police officers were generally more understanding, often treating suspects with a degree of empathy. The film visually underscores this difference through genuine archival footage, showing how police agents approached such incidents with less force and more patience. Van Sant notes that this softer approach reflected a time when law enforcement was more integrated with the community, a sharp contrast to today’s more paramilitary style that often perceives citizens as enemies.
The film’s closing scenes feature raw footage illustrating how makeshift the kidnapping was—adding a layer of authenticity that resonates with audiences. Gus Van Sant highlights that this handcrafted nature of the crime demonstrates its bizarre and almost playful quality. These real clips reinforce the film’s ability to blend Hollywood storytelling with documentary elements, emphasising that even serious crimes can be touched by humor and human complexity.
The morning of February 8, 1977, Anthony G. “Tony” Kiritsis, 44, entered the office of Richard O. Hall, president of the Meridian Mortgage Company, and took him hostage with a sawed-off 12-gauge shotgun wired with a “dead man’s wire” from the trigger to the Hall’s head. This is the true story of the stand-off that took the world by storm as Tony demanded $5 million, no charges or prosecution, and a personal apology from the Halls for cheating him out of what he was “owed.”
Written by: Angelo Acerbi
Guest
Gus Van SantFilm
Dead Man's WireFestival
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Nicolas Winding Refn on Her Private Hell, his first feature in ten years, in Italian cinemas from October 1.
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