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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
French director Julia Ducornau is back in Cannes, the 78t edition with her third film, “Alpha“.
After winning the Palme d’Or in 2021, the filmmaker is again exploring the them of a young girl going through a transformation.
She describes the transformation as an on-going mutation, something that began before the start of the film and continues on after the film is over.
The film is a coming of age as it deals with Alpha (Mélissa Boros)’s struggle to emancipate from the bond she has with her mother, played on screen by Goldshifteh Farahani.
Julia Ducornau introduces, in the film, the threat of a new virus that, similar to Aids in the way it is transmitted and the stigma surrounding it, it turns people’s skin into marble.
The director drives us into this idea of the marble virus and explains how she came up with the idea.
Alpha, a troubled 13-year-old lives with her single mom. Their world collapses the day she returns from school with a tattooon her arm.
“Mama”, the debut feature film by director Or Sinai, was presented as a Special Screening at the 78th Festival de Cannes. A journey into the emotional layers of her protagonist Mila, a Polish immigrant torn between multiple homes and identities.
"Reedland" by Sven Bresser tells the change in the life of a reed cutter when he found a body of a dead girl in his own reed lands. Not a murder mystery film though, mora of a path of evolving …
Laura Wandel’s Adam’s sake, at the Semaine de la critique, relies on the perfect duo: Léa Drucker and Anamaria Vartolomei
An unforgettable debut: Mia McKenna Bruce brings Tara to life in a vibrant portrayal in How To Have Sex by Molly Manning Walker
Cannes 2025 closed with a standing ovation for Iranian filmmaker Jafar Panahi, whose Un Simple Accident took the Palme d’Or.
My father’s shadow, a semi-autobiographical film set in 1993’s Nigeria about two little brothers and the last trip with their father
In "Nino", in many ways reminiscent of Agnès Varda's "Cleo from 5 to 7", director Pauline Loquès focuses on trivial, daily things, which she says are her primary material, to explore "what happens when nothing happens"
Director Neeraj Ghaywan discusses Homebound at Cannes 78—an emotional tale of friendship, dignity, and identity rooted in real-life inspiration.
