“Kalak”, interview with the director Isabella Eklof
The intensity of the narrative of "Kalak" and the haunting beauty of the surrounding are the perfect combination for a film that is deep and hard and moving.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Arturo a los 30”, interview with director Martín Shanly
Martín Shanly, director of Arturo a los 30: “My main character is reluctant to cross an important threshold. He’s not behaving up to the expectations people have of a his age, 30”
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“Arturo a los 30”, interview with director Martín Shanly Chiara Nicoletti
With his first feature, “About Twelve”, director Martín Shanly studied a character who was not behaving up to the expectations people have of a certain age. With his second feature, Arturo a los 30 – About Thirty, where he also plays the lead, Arturo Shanly is again analizying some people’s inability to keep up with society expectations on what and how one should be at a certain age.
Arturo a los 30, in competition at the 41st Torino Film Festival, started its shooting in 2017 but Martín Shanly finished the film only in 2022, with the pandemic crossing the project. The Covid 19’s lockdown sort of affected the film’s process and Shanly decided it was only fair and natural to include this moment in the representation of Arturo’s path in the film.
Comedy and its tropes are the best way for Shanly to also depicts the sometimes darker aspects of Arturo’s personality and journey, such as grief and depression.
Plot
Arturo attends the wedding of his former best friend. On the car trip between the church and the British clubhouse where the party is celebrated, he is involved in a bizarre car accident from which he manages to escape unscathed. From that moment on, a series of memories begin to unfold in the form of flashbacks that involve significant, yet mundane recent events. As he proceeds to intoxicate himself with alcohol and pot, the past and the present merge in an uncomfortable and humorous way, forcing him to confront delayed griefs as well as the darkest aspects of his personality.
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World Cinema Fund at Berlinale, interview with Kesmat Eisayed, Egyptian producer
Kesmat El Sayed, one of the speakers on a panel on Arab Cinema, held in the frame of the World Cinema Fund days at the Berlinale 2025, is a producer from Egypt, based in Germany, who explains the difficult work …
Emilia Romagna Film Commission, interview with the film commissioner Emma Barboni
Emma Barboni, film commissioner of the Emilia Romagna Film Commission, tells us about the production of the film "Paternal Leave" by Alissa Jung, presented in the Generation section of the Berlinale, and also about the new funds available for film …
Sardinia Film Commission, interview with the Head of Production Gemma Lynch
Gemma Lynch is the Head of Production of Sardinia film Commission. She has been at the European film Market bringing a huge delegation of professionals from the region to navigate inside the European Film Market to be known and to …
Toscana Film Commission, interview with the director Stefania Ippoliti
Stefania Ippoliti, director of the Toscana Film Commission, is proud to share with us the development and the success of Manifatture Digitali Cinema, an education program for soon-to-be professionale in the film production field, created and acted in Prato, Tuscany.
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