Festival de Cannes International
“The love that remains”, interview with director Hlynur Pálmason
"The love that remains", at Cannes 78, is Pálmason’s more personal and intimate film.
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
International
Festival de Cannes International
Jafar Panahi Wins Palme d’Or at 78th Cannes Film Festival for Un Simple Accident
Cannes 2025 closed with a standing ovation for Iranian filmmaker Jafar Panahi, whose Un Simple Accident took the Palme d’Or.
Festival de Cannes International
“Sirât”, an interview with director Óliver Laxe
Director Óliver Laxe on his Palme d'or contender "Sirât": "To watch this film provokes something, I think thanks to the fact that I left room for ambiguity, for polysemy, and that I trusted the images."
Festival de Cannes International
“Yes”, an interview with director Nadav Lapid
Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…"
Festival de Cannes International
“Alpha”, interview with actor Tahar Rahim
Alpha, Ducournau’s Cannes comeback, stars Tahar Rahim in a mesmerizing performance
Festival de Cannes International
“Alpha”, interview with director Julia Ducornau
Alpha by Julia Ducornau, marks the director’s comeback in Cannes competition after the Palme d’Or with Titane in 2021
Festival de Cannes International
“Renoir”, interview with director Chie Hayakawa
Renoir, in the Cannes 78’s competition, is Hayakawa’s more intimate and personal project after Plan 75
Festival de Cannes International
“My father’s shadow”, interview with director Akinola Davis Jr.
My father’s shadow, a semi-autobiographical film set in 1993’s Nigeria about two little brothers and the last trip with their father
Festival de Cannes International
“Caravan”, an interview with director Zuzana Kirchnerova
"Caravan", for the film's director Zuzana Kirchnerova, was also a way to "give a voice" to all family members who are caretakers and get marginalised in our society.
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“Eddington”, interview with director Ari Aster
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