Mikko Myllylahti – The Woodcutter Story #TFF40
A bizarre and touching tale of optimism and resilience, in the cold and snowy Finland.
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Christoffer Nordenrot – Unthinkable #TFF36
PODCAST| Angelo Acerbi interviews Christoffer Nordenrot, actor and screenwriter of the film Unthinkable.
Christoffer Nordenrot has written an intriguing political thriller on a potential attack to Sweden from a foreign force (that has a face and a name at the end of the film – a very harsh and bold statement). Big action sequences and special effects to serve a story composed of personal and intimate tragedies that intertwine with the national catastrophe that is unraveling. An enormous narrative effort and a compelling visual rendition, further away from the Swedish films we are used to see.
Unthinkable: Alex is a successful artist whose controlled existence is disturbed when his mother dies in a suspected terror attack against Stockholm. For the first time in several years, Alex is forced to return to his childhood village to arrange the funeral. By accident Alex meets Anna, the youth love he has desperately been trying to forget. As old feelings are coming alive, more attempts around the country take place: Sweden is under an unknown attack. Will Alex succeed to reconcile with Anna before it’s too late?
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Albert Serra – Pacifiction #TFF40
The hyper-creative Albert Serra and his monumental social thriller, shot in Tahiti with an astounding Benoit Magimel.
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“Arturo a los 30”, interview with director Martín Shanly
Arturo a los 30, in competition at the 41st Torino Film festival, is Martín Shanly’s second feature following up on his study on people who are not keeping up with society expectations.
“White Plastic Sky”, interview with directors Tibor Bánóczki and Sarolta Szabó
White Plastic Sky is Tibor Bánóczki and Sarolta Szabó’s first feature animation film, screening at the 41st Torino Film Festival in competition.
“Kalak”, interview with the director Isabella Eklof
The intensity of the narrative of "Kalak" and the haunting beauty of the surrounding are the perfect combination for a film that is deep and hard and moving.
Pilar Orero, interview with the professor of Audiovisual Translation at the Universitat Autònoma de Barcelona
The professor of Audiovisual Translation Pilar Orero, in Rome for Audecon, remarks that media accessibility is a human right that should be always granted.
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