Edgar Pêra – Kinorama – Beyond the Walls of the Real #IFFR2022
Expanding the bounds of 3D filmmaking.
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PODCAST | Matt Micucci interviews Deniz Tortum, director of the film Phases of Matter.
An interview with Deniz Tortum, who presented his feature documentary debut Phases of Matter in the Bright Future strand of the 2020 International Film Festival Rotterdam. The film is set in a hospital, filmed when plans for its complete demolition seemed to be set in motion. But it is also a location that has a personal connection with Tortum – he was born there and his father is a doctor there. In this film, he talks in more detail about his desire to film in this particular location, the way in which it humanises the representation of patients and doctors on film, the similarities between filmmakers and doctors, and more.
Phases of Matter: The professor strides resolutely through the old Istanbul University Cerrahpasa Hospital. She stops next to a patient. Having professionally exchanged some medical data, she interestedly asks the elderly woman on the bed what book she is reading. The professor picks it up and reads a love poem aloud – an unexpected contrast in Deniz Tortum’s depiction of the parallel world of doctors and other workers in the hospital where he was born and where his father is a doctor.
To discover more about the festival, click here.
Written by: fredfilmradio
Bright Future Deniz Tortum International Film Festival Rotterdam Matt Micucci Phases of Matter
Film
Phases of MatterFestival
Rotterdam Film FestivalExpanding the bounds of 3D filmmaking.
A local newspaper journalist stumbles upon the strange story of a refugee's deportation.
Arturo a los 30, in competition at the 41st Torino Film festival, is Martín Shanly’s second feature following up on his study on people who are not keeping up with society expectations.
White Plastic Sky is Tibor Bánóczki and Sarolta Szabó’s first feature animation film, screening at the 41st Torino Film Festival in competition.
The intensity of the narrative of "Kalak" and the haunting beauty of the surrounding are the perfect combination for a film that is deep and hard and moving.
The professor of Audiovisual Translation Pilar Orero, in Rome for Audecon, remarks that media accessibility is a human right that should be always granted.
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