“The Phoenician Scheme”, interview with actors Benicio Del Toro and Michael Cera
The Phoenician Scheme by Wes Anderson, at Cannes 78, is a family story with a vintage old Hollywood’s era look
The Phoenician Scheme by Wes Anderson, at Cannes 78, is a family story with a vintage old Hollywood’s era look
Interview with Kirill Serebrennikov and August Diehl on The Disappearance of Josef Mengele at Cannes 78 – a chilling look at evil, complicity, and justice.
Diego Céspedes brought to Cannes, in the Un Certain Regard section, his first feature film " The Mysterious Gaze of the Flamingo", a fascinating and heartfelt story of self affirmation and resilience of a queer family in Chile, seen through …
Valéry Carnoy, director of "Wild Foxes" : "All the others are obsessed by Camille because he is a genius at his sport, but all this obsession and this 'love' is like a punishment for him. It’s like a psychological jail."
Left-Handed Girl, Sean Baker’s producer Shih-Ching Tsou’s first solo project, lands at the Semaine de la Critique
Fuori by Mario Martone, in competition at Cannes 78, marks Matilda De Angelis’ first time at the Festival
Alice Douard’s directorial debut, "Love Letters", at the Semaine de la critique, sees Monia Chokri pairing up with Ella Rumpf.
"We are humans, but in the end, we are animals".
La Ola, the feminist musical from Oscar Winner for A Fantastic Woman, Sebastián Lelio lands Cannes Premiere
“Mama”, the debut feature film by director Or Sinai, was presented as a Special Screening at the 78th Festival de Cannes. A journey into the emotional layers of her protagonist Mila, a Polish immigrant torn between multiple homes and identities.
Dominik Moll on his Palme d'Or contender "Case 137": "There’s a whole lot of footage [on demonstrations and police brutality], and we immediately felt that this was very cinematic, and that the investigation should be structured around those videos."
"Promised Sky" director, Erige Sehiri, on this Tunis-set story: "We have stories about migrants arriving in Europe and struggling in Europe, but we don’t have the stories from before, when they are stopped somewhere, stopped or stuck."
Director Pedro Pinho on the concept of "I Only Rest in the Storm": "I wanted to continue to explore the concept of polyphony, of creating a situation where different voices come together to reflect upon a given subject."
"While making this film, I questioned my right to suffer during my pregnancy. Can I complain about my pain while witnessing a genocide in Gaza?"
Paolo Manera is the director of the Film Commission torino Piemonte, in Cannes to celebrate the 25 years of activity, with a big event and the help of public and private partners that believed in the objectives the commission is …
"Reedland" by Sven Bresser tells the change in the life of a reed cutter when he found a body of a dead girl in his own reed lands. Not a murder mystery film though, mora of a path of evolving …
Alexe Poukine, director of "Kika": "We were really lucky with the cast. I think this is the most successful thing in the film. They brought a lot of themselves to their characters and you can see it."
Laura Wandel’s Adam’s sake, at the Semaine de la critique, relies on the perfect duo: Léa Drucker and Anamaria Vartolomei
Two Prosecutors, based on Georgy Demidov’s novella, marks Loznitsa’s return to fiction and to Cannes competition
At the 78th Cannes Film Festival, Sergei Loznitsa Two Prosecutors delivered a striking reflection on the human cost of authoritarianism, challenging the audience to confront modern echoes of 1937.
Mascha Schilinski’s Sound of Falling (Die Sonne schauen) debuts in Competition at the 78th Festival de Cannes. A poetic, female-led meditation on generational trauma and memory.
Riviera International Film Festival
"AI scares us now, but I believe in a good story telling"
Amélie Bonnin’s debut feature Leave One Day opened the 2025 Cannes Film Festival with a fresh take on the musical genre.
Riviera International Film Festival
"I have always chosen projects I've made following my instincts"
Indie Lisboa International Film Festival
In "¿De qué casa eres?" director Ana Perez Quiroga traces the deep scars and resilience shaped by war, displacement, and identity.
Indie Lisboa International Film Festival
In Vitrival-The most beautiful village in the world, Baptiste Bogaert and Noëlle Bastin capture a light and tender way of life, spiced up with deadpan humour
Indie Lisboa International Film Festival
Miguel de Zuviria and Gaspar Chaves discuss how filmmaking is a way to explore fragility, transformation, and the invisible ties that connect people.
The Legend of Ochi, a fantasy and 80’s world created by Isaiah Saxon that the audience will believe to be realv
Indie Lisboa International Film Festival
In The Sparrow in the Chimney, Ramon Zürcher unpacks tense family dynamics, mixing past secrets with present clashes in a near-Greek tragic finale.
Tony Leung Ka-fai brings his talent to Legend of the Condor Heroes - The Gallants, offering deep insights into his role and the cultural significance of this modern wuxia adaptation — a must-watch for fans of Chinese cinema and storytelling!