“The End of Times”, interview with directors Bibiana Rojas Gómez and Juan David Cárdenas
Discover how "The End of Times" blends AI, fiction, and reality to explore family, sadness, and political irony in a captivating, innovative film experience.
Discover how "The End of Times" blends AI, fiction, and reality to explore family, sadness, and political irony in a captivating, innovative film experience.
Ground floor: exploring societal apathy and personal transformation amidst Hungary’s political shifts through an intense, thought-provoking journey.
Twist & Shoot Mister Suzuki: capturing the rebellious spirit and stylish influence of this innovative director and artist
In competition at Venice 83, Emily Alyn Lind and Catherine Caylee Cowan on the Russian doll storytelling of Company
Valentina Martelli, CEO of ITTV, on AI, rights and content creation, at the Venice Film Festival 2026.
Sophie Fiennes and Slavoj Žižek on The Pervert's Guide to Utopias, in the Open section at Venice Film Festival 2026."
Alain Gomis et Mohamed Abdouni parlent des archives dans Cinema de l'inclusion entre vision et formation.
"The H@llow Man" by Kamel Laaridhi, selected for Critics Week, at the Venice Film Festival, explores future fears, poetry’s resistance power, and a haunting aesthetic that immerses viewers in a disturbing, thought-provoking world.
Giornate degli Autori - Venezia
Camouflage, by Mykyta Gibalenko, at Giornate degli Autori, explores identity, roots, and migration through a powerful story of war, self-acceptance, and the struggle to belong, in the contemporary situatation of Ukranian migrants.
Alessandra Miletto, Valle d'Aosta Film Commission, on new projects, at the Venice Production Bridge 2026.
Pascal Diot, director of Venice Production Bridge, on its growth and future plans, at Venice Film Festival 2026.
David Turpin, Flip Flops Film, on the Canary Islands' tax incentives, at the Venice Production Bridge 2026.
Listen Global Critics Venice Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the Venice International Film Festival 2026.
No Other Land directors Yuval Abraham and Rachel Szor on Naza, in Competition at the Venice Film Festival 2026.
Laura Poitras and Rachel Lauren Mueller talk about immigration and resistance in They're Here, at Venice 2026.
Out of competition in the Open section at Venice 83, Elizabeth Chai Vasarhelyi on grief, motherhood and filming at 29,000 feet in Everest: The Other Side
"The Color of the Sun": discover the captivating beauty of a debut film blending stunning visuals with deep cultural insights from Okinawa’s adolescent life
Giornate degli Autori - Venezia
Interview with Nathalia Acevedo, Sam Lowyck and Erwan Kepoa, director and actors of "Salon de Beleza" (Giornate degli Autori)
Woman Unknown director May El-Toukhy and actress Mathilde Arcel on the body as battlefield, in competition at Venice 2026.
Dust di Tsai Ming-liang, presentato in Venice Open - Fuori Concorso della Mostra di Venezia 2026: impermanenza e meditazione.
Andreas Bühlmann, Swiss Films, on Switzerland as Country in Focus at the Venice Production Bridge 2026.
Katrien De Hauwere, Screen Flanders, at the Venice Production Bridge 2026 on Belgium's film incentives and tax shelter.
Listen Global Critics Venice Voice! Exclusive and thoughtful conversations with leading international film critics, and in-depth analysis of the most anticipated films of the Venice International Film Festival 2026.
Avi Mograbi talks about Halayon, his documentary on memory and the Nakba, at the Venice Film Festival 2026.
Beatrice Borgia, president of Torino Piemonte Film Commission, on nine titles at the Venice Film Festival 2026.
Amos Gitai on The Road to Jericho, his hybrid work on memory and territory, at Venice Film Festival 2026.
Victor Kossakovsky and Stefano Mancuso on Holy Wood Dust, showcased at the Venice Film Festival 2026.
At the 83th Venice Film Festival 2026, Skyler Gisondo, Merritt Wever and Bokeem Woodbine on stepping into the circus of Primetime
Out of competition in the Open section at Venice 83, Jimmy Chin and Jim Morrison on risk, loss and calling behind Everest: The Other Side
In competition at the 83° Venice Film Festival, Luca Marinelli and Alicia Vikander on The Echo Chamber, inheriting Bernardo Bertolucci's screenplay and the traces we leave in each other's life