“Meat”, interview with director Dimitris Nakos
Meat by Dimitris Nakos lands out of Competition at the 36th Trieste Film Festival
Listeners:
Top listeners:
00:00
00:00
volume_up
chevron_left
-
play_arrow
ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
-
play_arrow
ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
-
play_arrow
EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
-
play_arrow
GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
-
play_arrow
POLISH Channel 05
-
play_arrow
SPANISH Channel 06 Si tu idioma es el español, o es un idioma que conoces, ¡ESTE ES TU CANAL!
-
play_arrow
FRENCH Channel 07 Si votre langue maternelle est le français, ou si vous le comprenez, VOICI VOTRE CHAINE !
-
play_arrow
PORTUGUESE Channel 08
-
play_arrow
ROMANIAN Channel 09 Dacă vorbiţi sau înţelegeţi limba română, ACESTA ESTE CANALUL DUMNEAVOASTRĂ!
-
play_arrow
SLOVENIAN Channel 10
-
play_arrow
ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
-
play_arrow
BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
-
play_arrow
CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
-
play_arrow
LATVIAN Channel 18
-
play_arrow
DANISH Channel 19
-
play_arrow
HUNGARIAN Channel 20
-
play_arrow
DUTCH Channel 21
-
play_arrow
GREEK Channel 22
-
play_arrow
CZECH Channel 23
-
play_arrow
LITHUANIAN Channel 24
-
play_arrow
SLOVAK Channel 25
-
play_arrow
ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
-
play_arrow
INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
-
play_arrow
EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
-
play_arrow
SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
-
play_arrow
“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
“Family Therapy”, interview with director Sonja Prosenc
Sonja Prosenc, director of Family Therapy talks about exploring the human condition and our loss of connection
-
play_arrow
“Family Therapy”, interview with director Sonja Prosenc Chiara Nicoletti
Sonja Prosenc is in competition at the 36th Trieste Film Festival with her third feature film, “Family Therapy“.
After premiering in Tribeca and participating at the Sarajevo Film Festival, the film is Slovenia’s Oscar nominee for Best International Film and will be distributed in Italian cinema by Emera Film.
The film is inspired by a childhood memory, Prosenc recalls in her director’s note: “When I was a child, our car burnt down in the road. From this childhood memory of cars driving by, Family Therapy was born. In the midst of chaos and fear, another car drives past the burnt car – shiny, new, with a family that seems perfect and doesn’t stop to help. This planted a seed of curiosity: Who are the people that choose not to stop?”
Through this look into an isolated family, “Family Therapy“ reflects on our loss and fear of connection in a moment in which we are all afraid of feeling vulnerable and seeing vulnerability in other people.
Plot
After catching fire, a car smolders on the roadside. A young family desperately needs help. Nearby, a pristine car cruises by. Inside, a seemingly perfect family doesn’t even slow down. Who are these people who choose not to stop? “Family Therapy” revolves around a Slovenian ‘nouveau riche’ family living in a glass house, exuding detached superiority. This setting serves as a satirical backdrop for a humorous reimagining of the premise from Pasolini’s “Teorema”: a young stranger arrives at the family’s household, disrupting the delicate balance of the family’s dynamics and revealing a world of chaos and the family’s dysfunctional relationships hidden beneath the surface. Olivia’s smothering overprotectiveness towards Agata, Aleksander’s escapism fueled by dreams of family space travel, and the secret hidden beneath Agata’s wig.
Related Posts
Nicoletta Romeo, intervista alla direttrice artistica del 36° Trieste Film Festival
La direttrice artistica del 36° TSFF , Nicoletta Romeo, introduce il programma del primo e principale appuntamento italiano dedicato al cinema dell’Europa centro orientale.
“1489”, interview with director Shoghakat Vardanyan
1489, director Shoghakat Vardanyan’s debut feature celebrates its italian premiere at the 35h Trieste Film Festival
Channel posts
Marrakech International Film Festival
“Amoeba”, interview with director Tan Siyou
The dystopian beauty of "Amoeba" by Tan Siyou, a film about girls seeking agency in a sterile, all-white society blending youth rebellion with societal critique. A girl gang with dreams and strength.
Marrakech International Film Festival
Remi Bonhomme, Artistic Director of the Marrakech International Film Festival
Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme.
Marrakech International Film Festival
“Aisha Can’t Fly Away”, interview with director Morad Mostafa
"Aisha Can't Fly Away," first feature by Morad Mostafa explores migrant women’s struggles in Cairo with surreal elements, and blending different genres in a compelling narrative.
Marrakech International Film Festival
“The Love That Remains”, interview with actor Ingvar Sigurdsson
Many are the profound layers of "The Love That Remains", Icelandic entry for the Oscars, a film that evolves from simple to surreal, inviting viewers to feel rather than fully understand.
Top popular
INCinema 2025: la prima tappa a Udine si chiude con i premi di INCorto
“Untitled Home Invasion Romance”, interview with director Jason Biggs
“Sound of Falling “, intervista con la regista Mascha Schilinski
“Coexistence, My Ass!”, interview with director Amber Fares
INCinema 2025 a Udine: ritorna il festival che rende il cinema accessibile a tutti