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ENGLISH Channel 01 If English is your language, or a language you understand, THIS IS YOUR CHANNEL !
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ITALIAN Channel 02 Se l’italiano è la tua lingua, o una lingua che conosci, QUESTO È IL TUO CANALE!
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EXTRA Channel 03 FRED Film Radio channel used to broadcast press conferences, seminars, workshops, master classes, etc.
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GERMAN Channel 04 Wenn Ihre Sprache Deutsch ist, oder Sie diese Sprache verstehen, dann ist das IHR KANAL !
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ENTERTAINMENT Channel 11 FRED Film Radio Channel used to broadcast music and live shows from Film Festivals.
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BULGARIAN Channel 16 Ако българският е вашият роден език, или го разбирате, ТОВА Е ВАШИЯТ КАНАЛ !
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CROATIAN Channel 17 Ako je hrvatski tvoj jezik, ili ga jednostavno razumiješ, OVO JE TVOJ KANAL!
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CZECH Channel 23
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LITHUANIAN Channel 24
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ICELANDIC Channel 26 Ef þú talar, eða skilur íslensku, er ÞETTA RÁSIN ÞÍN !
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INDUSTRY Channel 27 FRED Film Radio channel completely dedicated to industry professionals.
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EDUCATION Channel 28 FRED Film Radio channel completely dedicated to film literacy.
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SARDU Channel 29 Si su sardu est sa limba tua, custu est su canale chi ti deghet!
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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
PODCAST| Chiara Nicoletti interviews Gábor Reisz and Juli Berkes, director and producer of the film Bad Poems.
At first it had to be a noir then Gábor Reisz dropped the film project in favour of a more personal one: a story filled with his memories of the past which are all invisibly connected with each other. Juli Berkes describes the production’s journey accompanying the film, from all the producing and editing efforts to the choice of having the director himself to play the leading part. Bad Poems is in competition at the 36th Torino Film festival where Gábor Reisz won the Special Mention at the TFF32 with For Some Unexplicable Reason and it can certainly be defined as a therapeutic film for his director.
Bad Poems: Thirty-three-year-old Tamás has just had his heart shattered by his girlfriend, Anna. In Paris, of all places. So Tamás returns to Budapest, devastated and confused. He tries to process his sorrow by recalling his childhood memories and trying to understand this happened to him. The memories erupting inside Tamás and it seems that his present suffering is a consequence of events from the past. Tamás’ characters of various ages appear before him and reflect with humorous self-irony upon his past and present behavior.
An exclusive interview with Simone Gandolfo, President of Valle d’Aosta Film Commission, on Focus London 2025 and why the Alpine region is a hidden gem for film and TV producers.
Wim Wenders will preside over the International Jury of the 76th Berlinale, overseeing the selection of the Golden and Silver Bears in February 2026.
Jacopo Chessa, director of Veneto Film Commission, on Focus London 2025 and a standout year spanning Cannes, Venice and global productions.
Marrakech International Film Festival
Laurence Fishburne's interview explores his iconic roles, influences, and future projects—revealing insights into acting, Black cinema, and his evolving creative journey.
