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“Conversation with” at the 20th Marrakech IFF, interview with actor Willem Dafoe Bénédicte Prot
Maria Cavalier Bazan et Gladys Lefeuvre, du film "Aimer Perdre" des frères Guit, au Milano Film Fest, nous ont parlé de l'expérience magnifique du tournage, et du personnage intense et heureusement désespérée de Armande ( joué par Bazan), dont la …
Claudio Santamaria è il direttore artistico del Milano Film Fest, alla sua prima edizione dal 3 all'8 giugno. Un evento che Claudio ci racconta, entrando nelle sua diverse sezioni, create sia per il pubblico che per gli operatori del settore.
Maschi Veri, serie Netflix, racconta uomini che riflettono sulle incertezze, i paradossi e le contraddizioni della mascolinità italiana di oggi.
Mani Nude, opera seconda di Mauro Mancini dopo Non odiare, in anteprima al Milano Film festival e in sala il 5 giugno con Medusa
Mirrors No. 3 is Petzold’s new film with muse Paula Beer, premiering at the Quinzaine des Cinéastes.
A pale view of hills by Kei Ishikawa, at UCR in Cannes 78, is Kazuo Ishiguro’s novel’s screen adaptation.
"The love that remains", at Cannes 78, is Pálmason’s more personal and intimate film.
Director Óliver Laxe on his Palme d'or contender "Sirât": "To watch this film provokes something, I think thanks to the fact that I left room for ambiguity, for polysemy, and that I trusted the images."
Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary …
Sorry, Baby, based on director, writer and actor Eva Victor’s personal experience is an ironic and delicate cinematic letter to the people that feel stuck in life because of trauma.
Le Città di Pianura, opera prima di Francesco Sossai, arriva ad Un Certain Regard di Cannes 78, a due anni dal corto Il compleanno di Enrico
Testa o croce?: a Cannes 78 il film che ribalta gli stereotipi di genere dello Spaghetti Western
"Testa o croce?" La ballata antiwestern italiana ad Un Certain Regard di Cannes 78.
Alpha, Ducournau’s Cannes comeback, stars Tahar Rahim in a mesmerizing performance
Alpha by Julia Ducornau, marks the director’s comeback in Cannes competition after the Palme d’Or with Titane in 2021
Renoir, in the Cannes 78’s competition, is Hayakawa’s more intimate and personal project after Plan 75
My father’s shadow, a semi-autobiographical film set in 1993’s Nigeria about two little brothers and the last trip with their father
"Caravan", for the film's director Zuzana Kirchnerova, was also a way to "give a voice" to all family members who are caretakers and get marginalised in our society.
Le Città di pianura di Francesco Sossai e l’incontro-svolta tra due spiantati cinquantenni e uno studente d’architettura
In "Nino", in many ways reminiscent of Agnès Varda's "Cleo from 5 to 7", director Pauline Loquès focuses on trivial, daily things, which she says are her primary material, to explore "what happens when nothing happens"
Stefania Ippoliti is the director of the Tuscany Film Commission, in Cannes to present to producers the activities and programme of the film commission but also to promote a film in the festival slection that was shot in te region …
Graziella Bildesheim parla del Gaza International Women’s Film Festival previsto in ottobre, un evento sostenuto da numerose realtà italiane e internazionali.
Anna Cazenave Cambet, réalisatrice de "Love Me Tender": "Il y a une obsession sur les personnages féminins : ils devraient absolument susciter de l’empathie. C’est un procès qu’on ne fait pas aux personnages masculins".
Director Neeraj Ghaywan discusses Homebound at Cannes 78—an emotional tale of friendship, dignity, and identity rooted in real-life inspiration.
Romane Bohringer, réalisatrice de "Dites-lui que je l'aime", inspiré du livre du même nom de Clémentine Autain : "Ce film hybride qui est un peu fiction, un peu documentaire, s'est imposé à moi".
Jacopo Chessa, direttore della Veneto Film Commission, ci incontra al Festival di Cannes in occasione della presentazione del film Le Città di Pianura, di Francesco Sossai, primo film completamente veneto ad essere incluso nel programma del festival. Poi, naturalmente, si …
The Phoenician Scheme by Wes Anderson, in Cannes’ competition sees the participation of newcomers Mia Threapleton and Riz Ahmed and welcomes back Richard Ayoade
"La Mort N'existe Pas" est un film d'animation dirigé par Félix Dufour-Laperrière avec le thème de la lutte sociale et de l'usage de la violence comme moyen de révolte. Un film fascinant par ses choix esthétiques et ses dessins que …
The Phoenician Scheme by Wes Anderson, at Cannes 78, is a family story with a vintage old Hollywood’s era look
Interview with Kirill Serebrennikov and August Diehl on The Disappearance of Josef Mengele at Cannes 78 – a chilling look at evil, complicity, and justice.
